Le Musicien, sérigraphie originale de Adami, 2014
Valerio Adami   Master Artists

Print : Screen Print, tirage fine art, engraving · 90 x 65 x 0.15 cm 35.4 x 25.6 x 0.1 inch

€900 900 €

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Shipped from: France

Delivery to: Germany , € 81

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About the artwork

Type

Print : numbered and limited to 90 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from Editions l'Estampe, Strasbourg

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

90 x 65 x 0.15 cm 35.4 x 25.6 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2013 • Top Seller

Description
Born in March 1935, Valerio Adami is a major painter of the New Figuration. He is famous for his flat areas of candy colors and his sharp shapes contoured with a thick black line, which he spreads meticulously on the canvas.

Portrait

Figuration

New realism

Violin

Fictional Character

Valerio Adami, Le Musicien, sérigraphie originale de Adami

Valerio Adami

Italy  • 1935
617 followers

Presentation

Valerio Adami is in Italian painter born on March 17, 1935 in the Italian city of Bologna. He is famous for his paintings with surfaces of flashy outlined by thick black lines, reminding of comics. He divides his time between France and Italy.

Adami was educated at Academy Brera in Milan between 1952 and 1954. He traveled to paris for the first time in 1955, where he met Roberto Matta. His first solo exhibition came in 1957 in Milan, with works inspired by Matta's surrealism.

In the late '60s, he became part of the Nouvelle Figuration (New Figuration) movement. Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. Adami's artworks were expressionistic, but around the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat colour bordered by black lines. The artist subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms.

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