Carole, Marc Couturier, lithographie, 2015
Print : lithography · 66 x 50 cm 26 x 19.7 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 17 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Editions Anthèse
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
66 x 50 cm 26 x 19.7 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2016
Description
Original lithograph. After Michel, Carole… This time named in the very heart of the work. Drawing on lithographic stone, printed on a hand press by our workshop. BFK Rives white paper 270 g / m from Arches Tradition. Edition: 17 copies signed and numbered from 1/17 to 17/17 by the artist. Certificate and publisher's stamp, perfect condition.
Presentation
Marc Emile Léon Couturier was born in 1946 in Mirebeau-sur-Beze (Côte-d'Or).
It's already the beginning of a story. A story of "revelation", of how he "stumbled" across things and then displayed them without making any changes. Framed samples put on a shelf, photographed and then identically reproduced, juxtaposed, combined...
An aucuba leaf acts as a stained glass, a plasterboard after floods namely (la « Fuite de Françoise, la voisine du dessus »), "a plastic pouch where a document remained for a long time and was found in the sea".
A simple stroll in the city of Amiens takes a whole new meaning when you come across a home of any Tom, Dick and Harry.
He stimulates people to think and reflect about what happens when our alertness goes further than our expectations. Even landscapes aren't treated as nature but as a creation. Marc Couturier sees the world like an accumulation of images, a sample or a drawing is inspired through music, or at least what is left of it but portrays them as little miracles.
His public collections: Collections publiques : Centre Pompidou, MNAM, Paris; Fonds national d'art contemporain, Paris; Fondation Cartier pour l'art contemporain, Paris; FRAC Alsace; FRAC Auvergne; FRAC Île de France; FRAC Limousin; FRAC des Pays de la Loire; FRAC Picardie; FRAC Rhône Alpes.
It's already the beginning of a story. A story of "revelation", of how he "stumbled" across things and then displayed them without making any changes. Framed samples put on a shelf, photographed and then identically reproduced, juxtaposed, combined...
An aucuba leaf acts as a stained glass, a plasterboard after floods namely (la « Fuite de Françoise, la voisine du dessus »), "a plastic pouch where a document remained for a long time and was found in the sea".
A simple stroll in the city of Amiens takes a whole new meaning when you come across a home of any Tom, Dick and Harry.
He stimulates people to think and reflect about what happens when our alertness goes further than our expectations. Even landscapes aren't treated as nature but as a creation. Marc Couturier sees the world like an accumulation of images, a sample or a drawing is inspired through music, or at least what is left of it but portrays them as little miracles.
His public collections: Collections publiques : Centre Pompidou, MNAM, Paris; Fonds national d'art contemporain, Paris; Fondation Cartier pour l'art contemporain, Paris; FRAC Alsace; FRAC Auvergne; FRAC Île de France; FRAC Limousin; FRAC des Pays de la Loire; FRAC Picardie; FRAC Rhône Alpes.
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