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203R0946, 2020

Pierre Muckensturm

Print : etching 25.6 x 19.7 inch

$549

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Pierre Muckensturm, 203R0946

About the artwork

Artwork sold in perfect condition

Edition 3/8 Pierre Muckensturm added printmaking to his oeuvre in 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time.
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About the seller
IdeelArt • Londres, United Kingdom

Artsper seller since 2015

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Medium
Print: etching
Dimensions cm inch
25.6 x 19.7 inch
Framing
Not framed
Type
Numbered and limited to 8 copies
1 copy available
Authenticity
Work sold with an invoice from the gallery and a certificate of authenticity
Signature
Hand-signed by artist
Themes

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Origin: United Kingdom Find out more about delivery

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Pierre Muckensturm

Pierre Muckensturm

France • Born in: 1970

​Master Artists

De Stijl

Painters

Printmakers Artists

Draughtsmen Artists

French artists

Pierre Muckensturm is a french abstract painter and print maker born in Strasbourg, currently living in Colmar. He studied at Louis Pasteur University in Strasbourg. He is searching for the symbol, the matter and the light in the dark and the silence. He loves the dark, but he loves it from a scientist's point of view. « It's substantive work: the research of non-colour ». Or the research of a material. He starts with figurative painting and discovers abstraction in 2004 through Le Corbusier.

This is what Pierre Muckensturm says about his paintings : « The canvas is not a support anymore. I work on what it undergoes ». The canvas becomes painting in the end, and the black allows the examination of its apparent silence. So the color is not interesting in this context. He is inspired by calmness, constancy and temporality. He meets Julius Bissier, whose work also brings tranquility.

And neither is the shape: « The cross is a meeting point. This is where it happens ». The cross and the black question the « the immensity, or not ». This is a question of weightlessness, « of acceptance of the imbalance ». Not a shape, event if it owes its symmetry and its relentless geometry to the Alsatian culture, so rigourous and so well-ordered.

In 2004, he starts working on large scales canvases with oil painting, mixing calmness and intensity, sometimes adding printmaking, therefore exploring time and perspective.

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