Sans titre, 1999
Manel Lledós  

Print : etching · 56 x 76 x 0.02 cm 22 x 29.9 x 0 inch

€300 300 €

One of the last works available by this artist

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Shipped from: France

Delivery to: Germany , € 18

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 75 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

56 x 76 x 0.02 cm 22 x 29.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2015

Description
Original etching by Manel Lledós (1955) signed and numbered in pencil by the artist. Edited and printed by Poligrafa, Barcelona. Careful packaging and international tracking.
Manel Lledós, Sans titre

Manel Lledós

Spain  • 1955

Presentation

Manel Lledós, born in Barcelona, Catalonia (Spain) in 1955. From an early age, he enrolled in the Llotja art school and worked under the direction of the artist Victor Esteban Ripaux, a classical painter trained in the 'School of Fine Arts in Paris. In 1971, Lledós joined the Escola de Belles Arts de San Jordi in Barcelona. He spent months traveling in Spain, Italy and France, absorbing the art of the past as well as contemporary currents.


At the end of the 1970s, his work began to evolve between an abstraction of a gestural field and a serial geometry. In 1981, Lledós moved to New York to start over. His decision is motivated by his need to experience a larger cultural context.


In the early 1980s, he moved to a studio first in the Lower East Side, then in Brooklyn, and exhibited with the Joan Prats gallery as well as others across the Americas and Europe.


In 1994, Lledós was hired as a professor of painting by the Department of Art at Kingsborough Community College (CUNY). Lledós still resides in Brooklyn and his studio is now in Dumbo. For Lledós, painting is a rapprochement between the tangible and the abstract, the permanent and the transformative, the certain and the unexpected. His painting slowly evolves towards an organic geometry which reflects on place, time and belonging.

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