Composition Pink / Green, 2003
Print : Screen Print · 77.5 x 77.5 x 0.3 cm 30.5 x 30.5 x 0.1 inch · Ready to hang
One of the last works available by this artist
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Shipped from: Switzerland
Delivery to: United States , $ 209
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 44 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
77.5 x 77.5 x 0.3 cm 30.5 x 30.5 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
78 x 78 x 2 cm 30.7 x 30.7 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Artist Olivier Mosset, along with Daniel Buren, Michel Parmentier, and Niele Toroni, was a member of the BMPT art collective in the 1960s, a Parisian group dedicated to interrogating ideas about creative authorship. BMPT believed that the art object itself was more relevant than its creator. Mosset is best known for his series of monochrome paintings, each featuring a black circle, of which he produced hundreds. Most recently, Mosset created a series of ice sculptures that reference the Swiss anti-tank roadblocks, called Toblerones, built during World War II. Although never formally belonging to the Neo-Geo movement, Mosset’s work has been linked with artists associated with the style such as Ashley Bickerton and Peter Halley.
Presentation
Olivier Mosset (born 1944 in Bern) is a Swiss visual artist who lives and works in Tucson (Arizona) and in Switzerland.
Olivier Mosset is mainly known to the public for having been part in 1967 - 1968 of this movement initiated by four artists in revolt against the artistic institution: Buren, Mosset, Parmentier, Toroni. Even though for the young generation of contemporary European and American painters, he is today a major symbolic figure, the rest of his career is still poorly understood. His work is not limited to the famous “Circles” of the BMPT era. Through geometric abstraction, monochrome then post-abstraction, she deploys a meditation, uninterrupted for forty years, on the future of painting in the era of globalized capitalism.
Its impact, strong enough for Olivier Mosset to be appointed to represent Switzerland at the Venice Biennale in 1990, is due to its very particular inscription: Olivier Mosset is indeed the only European painter to have immediately placed himself in the posterity of the great abstract painting (Frank Stella, Robert Ryman, Jasper Johns), and to have thus been able to effectively participate in the artistic debates which took place in the USA at the turn of the 80s and 90s. Living since 1977 between the two continents, mediator between the two cultures, thanks to this dialogue, he has built a work that matches both American formats and Western critical reflection.
(Catherine Perret).
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