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Mario Avati, Apple and Tower, Print on paper
Mario Avati, Apple and Tower, Print on paper
Mario Avati, Apple and Tower, Print on paper
Mario Avati, Apple and Tower, Print on paper

Apple and Tower, 1960
Mario Avati   Famous Artists

Print : etching · 5.5 x 6.5 x 0.2 cm 2.2 x 2.6 x 0.1 inch

$348 348 $US
Shipping & delivery

Shipped from: Italy

Delivery to: United States , $ 45

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
9.6/10
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About the artwork

Type

Print : numbered and limited to 100 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

etching on paper

Dimensions ( cm • inch )

5.5 x 6.5 x 0.2 cm 2.2 x 2.6 x 0.1 inch Height x Width x Depth

Sold by

Art gallery

Wallector Srl • Italy

Credentials

Vetted seller since 2019 • Top Seller

Description
Apple and Tower is original etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009).
Sheet dimensions: 30x19.5 cm
Hand-signed on the lower right and numbered on the lower left in pencil. Edition of 52/100 prints.
The original artwork with a superb technique, representing a scenery an apple just next to a leaning tower, apparently leaning tower of Pisa, well- defined silhouette, a combination of fantasy and the imaginary world with a touch of subjective interpretation which demonstrates a ludic and playful approach to dimensions.

Architecture

Food

Apples

Black
Mario Avati

Mario Avati

Monaco  • 1921

Masterpieces

Presentation

Mario Avati (1921-2009) is a French painter and engraver, remembered as the foremost mezzotint artist, after Yozo Hamaguchi. After attending the National School of Decorative Arts in Nice and the École nationale supérieure des Beaux-Arts in Paris, Mario Avati practiced, from 1947, all printmaking techniques, contributing to the revival of graphic techniques as popular artists' media. 

Ten years later, he turned, almost exclusively, towards the black way2, first in black, then, from 1969, in color. In doing so, he helped revive this graphic technique as a medium for popular expression.

His favorite graphic technique, applied to his timeless still lifes, is the mezzotint, among the most demanding, abandoned because it was "too difficult", but with the final result of an emerging image from a deep black "nothingness". Avati's international fame is confirmed by numerous awards, documentary films made in Japan, in the USA and in Europe and an uncountable number of participations in exhibitions and art events all over the world.

Illustration

Urban Painting

Printmakers

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