Le baiser, 2005
Sculpture : bronze · 41 x 18 x 17 cm 16.1 x 7.1 x 6.7 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 90
Estimated delivery: One to two weeks
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : numbered and limited to 8 copies
5 copies available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Artwork signed in the mold
Technique & Support
bronze , without pedestal
Dimensions ( cm • inch )
41 x 18 x 17 cm 16.1 x 7.1 x 6.7 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Presentation
Grégoire Stanislav Slavu, French sculptor of Romanian origin.
Exhibited from 1992 to 1997 without interruption at the "Salon d'Automne" and at the "Salon des Artistes Français" in 1993 and 1994. Since 1989 has participated in various fairs and exhibitions in the Paris region ("Salon des Salons" in Versailles, sculpture triennial "June de La Celle Saint Cloud", international exhibition "Tribute to Gislebertus" in Autun, "Sculpt'Art's", Margency), Annual Salons in Paris - Town Hall of the Xth arrondissement, several cities in the Paris region: Rueil-Malmaison, Saint Cloud, Vaucresson, Garches, Chatou, Le Vésinet, Mesnil-le-Roi, Marnes-la-Coquette, Vélizy, Breteuil-sur-Iton, Charenton-le-Pont. Exhibition “Révisions", Galerie Lavignes-Bastille, 2009. Invited in 2013 to the Biennial of Sculpture in Saint-Jean-de-Monts. Exhibition "Desenul sculptorului" (The sculptor's drawing) at the Dialog Gallery in Bucharest, Romania, 2015. Invited to the exhibition "Shapes in the sun" in Saint-Jean-de-Monts in 2018.
"... from his beginnings, seduced by the states of organic reality, more than by the artifices of abstraction, he was able to instruct with determination a concise and modulated work based on the metamorphoses of the human body. Freed from the imposed norms by the constraints of the block, now aware of its powers and its objectives, its process is then constituted in an interpretation that is both free and measured of the figure, where the velvety of the curves, the accuracy of the falls and the slipped articulation of the connections, adjoin the rigor of the structural arrangements". Gérard Xuriguera, Around the figure and its metamorphoses
Reviews from our customers
All our reviews are extracted from Verified Reviews
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