Royal(e), 2022
Sculpture : aerosol paint, resin · 18.5 x 6 x 8 cm 7.3 x 2.4 x 3.1 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Artwork signed in the mold
Technique & Support
aerosol paint , resin , without pedestal
Dimensions ( cm • inch )
18.5 x 6 x 8 cm 7.3 x 2.4 x 3.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
Cast resin bomb, painted with aerosol paint.
This sculpture refers to Stanislas Leszczynski (1677-1737), King of Poland and Duke of Lorraine and Bar.
Valer was inspired by a bust of Paul-Louis Cyfflé (1724-1806) which is part of the collections of the Museum of Art and History Michel Hachet in Toul.
Certificates of the Artist and the publisher.
This sculpture refers to Stanislas Leszczynski (1677-1737), King of Poland and Duke of Lorraine and Bar.
Valer was inspired by a bust of Paul-Louis Cyfflé (1724-1806) which is part of the collections of the Museum of Art and History Michel Hachet in Toul.
Certificates of the Artist and the publisher.
Presentation
In eastern France and its border countries, Valer made himself known through La Smala Crew, one of the most productive collectives of the 2000s, of which he is the founder and whose monumental frescoes, between others, have marked the minds of graffiti lovers.
Spotted under the pseudonyms Esy, then Moos, he has been signing his works since 2003 using the nickname that has followed him since childhood: Valer.
Valer takes part, in France and abroad, in numerous jams in the company of the most important European and international street artists; Trier, Milan, Luxembourg, Bali, Baronissi, ...
In 2017, the Galerie Les Artistes Témoins in Nancy organized his first solo exhibition for him, where he presented a spray paint created in collaboration with the Faïencerie Saint-Jean l'Aigle Émaux de Longwy.
At the end of 2019, the Prémontrés Abbey in Pont-à-Mousson welcomes him for 3 months for a major exhibition.
Equally at ease in lettering as in figurative art, he mainly creates very technical works, composed of implosive letters, compressed, twisted, placed on realistic sets, but also paintings-objects mixing graffiti and diverted manufactured objects ...
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