Bronze Figurine of a Woman, Circa 2021
Sculpture : bronze, clay, wax, plaster, aluminium, brass, Silicone · 29 x 7 x 6 cm 11.4 x 2.8 x 2.4 inch
Shipping & delivery
Shipped from: Israel
Delivery to: Italy , € 67
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : numbered and limited to 5 copies
4 copies available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
29 x 7 x 6 cm 11.4 x 2.8 x 2.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2023
Description
This Cast is 2/5 (Silicone bronze).
Cold&Hot Patina based on water from the Dead-Sea.
Signature engraved at the base.
This special edition of 5 copies comprises all types of metal, and there will be no more than total of 5 copies produced, regardless the metal type (copper alloy, aluminum, steel etc.).
Modeled in Beewax.
It's possible to commission the sculpture in another kind of metal.
Artist reserve the right to make other casts in other materials, as long as they are not metal (Plaster, Resin etc).
Ships in a wooden box (listing weight includes the box weight).
Contact Artist for shipping price.
Please inquire if you have any questions, more photos, etc
Presentation
Ohad Ben-Ayala, b.1981 .
Lives and works in his studio in Tel-Aviv.
The sculptures presented on this profile reflect a decade of exploring bronze and other non ferrous metals as sculptural materials.
All of the works shown here at the moment were roughed out and modeled first (from nature or an invention) using another material – mostly water based clay or soft bee-wax.
Either way, more than one aspect of each work was always left unfinished, so it could be later resolved in the final metal it was cast in, and thus giving the metal more meaning than just a casting material.
This method was meant to find some middle way between the desire to create a single, unique and individual art piece – and at the same time develop multiple other versions, with all the possibilities offered by casting and re-casting each sculpture in different materials.
Traditional methods of chasing and repousse were combined with electric and pneumatic grinding, polishing, welding and soldering.
Various bronze alloys, aluminum and sometimes brass were cast using both sand casting and lost wax casting methods. With the founder's role limited to pouring the molten metal - Each sculpture is resolved and finished by the artist's own hands.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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