Étude Buste 02, 2021
Sandrine Verdier  

Sculpture : terracotta · 35 x 20 x 17 cm 13.8 x 7.9 x 6.7 inch

$2,191 2 191 $US

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Shipped from: France

Delivery to: United States Free delivery

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Engraved signature

Technique & Support

terracotta , without pedestal

Dimensions ( cm • inch )

35 x 20 x 17 cm 13.8 x 7.9 x 6.7 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

This patinated terracotta sculpture, breathtaking in its simplicity and strength, embodies the raw and timeless beauty of the human form. Standing with an imposing presence, the torso stripped of its limbs invites a contemplation of the lines and volumes that underline the sensuality of the body. The artist skillfully plays with textures, giving the surface a lively and organic dynamic. The irregular contours and subtly marked angles create a fascinating play of light and shadow, which evolves according to the lighting. The subtly nuanced patinated earth accentuates the reliefs, adding a depth and visual richness that captivates the viewer. This piece is distinguished by its partial abstraction that leaves room for the imagination, while maintaining a clear reference to the human form. The work, in its ability to evoke pure emotion through the simple evocation of the body, reveals itself to be a bold exploration of the human figure, marking a recognition of its power and fragility.

France

Presentation


Course

From the Toulouse School of Fine Arts to the company, then from the company to the studio: at 57, she is an artist from Toulouse, mother of two grown children. Inseparable from her life as a woman and her work as an artist, their education shaped her creative path and determined her choices: the stability of a salaried job as an artistic director for twenty years, combined with the regular practice of painting; then freelance graphic designer and teacher, when they began to fly on their own. Finally, a sculptor aware of the need to present her work. The figurative canvases now sleep in a corner of her studio where she has been working with clay for five years.

The murmur of bodies

Her sculpture captures life in the fleetingness of movement. It feeds on the singular history of bodies. Her raw plastic suggests movement, without confining it to a definitive attitude. It offers a path, arouses feelings, but does not impose a narrative. Freed from the canons of formal aesthetics, the tension of a muscle or the prominence of a bone, reveal the confidence of bodies in a carnal freedom springing from matter. Bodies in love, bodies suffering, or distended by motherhood, they tell themselves in intimate fragments, like so many secret stories whispered by light and space.

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