Feeder III, 2023
Sculpture : wood, metal · 38 x 40 x 16 cm 15 x 15.7 x 6.3 inch
€3,000
3 000 €
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Shipped from: United Kingdom
Delivery to: Germany , € 100
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Verified Reviews : 9.6/10
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About the artwork
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Professional art gallery • United Kingdom
Credentials
Vetted seller since 2024
Description
This striking artwork is a sculptural piece that artfully combines organic aesthetics with modern design. Crafted from an arrangement of sleek, black materials, the structure resembles a stylized birdhouse with an avant-garde edge. The piece consists of interlocking cylindrical forms that mimic rustic logs, carefully assembled to create a distinctive house-like shape. The roof, made of paired elements coming to a sharp peak, adds a dynamic sense of movement. Below, the facade is punctuated by circular openings, reminiscent of abstract windows or openings, inviting curiosity about the interior. These features are interconnected with angular, branch-like structures, introducing an intriguing interplay between nature and geometry. The monochromatic black finish enhances its contemporary appeal, creating a bold visual impact against the contrasting white backdrop. This artwork uniquely balances form and function while challenging conventional architectural norms, making it a captivating focal point in any setting. Its deliberate simplicity paired with intricate detailing invites repeated contemplation and admiration.
Presentation
Tom Bull (b. 1995, Northamptonshire) makes sculptures and video installations in an absurd attempt to capture the lived exprience within these dark, strange and unstrustworthy times. Working and living in London, through the landscape of folklore, urbanisation and rituals, Bull investigates the tension and slippage between fiction and representation, violence and sensitivity, truth and mythology. With a wide range of tools and materials borrowed from architecture, model making, craft, aspirational design, preservation, farming and forestry, Bull employs a sculptural practice that confronts and manipulates traditions, time periods, lore and genre. His most recent works interrogate "country life" by challenging issues around land, loss, community, wealth, nostalgia, access, labour and violence. These sculptures are nuanced and complex, not just imitating life but working within it, for they do not seek answers to life's ambiguities instead they highlight them as well as their resultant anxieties, playing whin them as a visual medium, giving them form and presence.
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