Florence, 2014
Maarten Demmink  

Sculpture : oil, wood, iron · 20 x 18 x 18 cm 7.9 x 7.1 x 7.1 inch

$1,517 1 517 $US
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Shipped from: France

Delivery to: United States , $ 257

Estimated delivery: One month and a half

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

oil , wood , iron , without pedestal

Dimensions ( cm • inch )

20 x 18 x 18 cm 7.9 x 7.1 x 7.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2015 • Top Seller

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This seller offers discount when you purchase multiple artworks.

Description

Named after a tropical hurricane, "Florence" is part of a series of small wood sculptures made in poor and reclaimed materials. It personifies in a touching and concrete way the feeling of helplessness experienced by people when nature destroys what they have built.

Bibliography: Maarten Demmink. Galerie Jean-Marie Oger, Paris. 2022. 

Architecture

House

brown

Netherlands  • 1967

Presentation

Graduated from the Royal Academy of Art in The Hague, Maarten Demmink (also known as Demiak) revisits the genre of landscape in the light of his contemporary concerns about environmentalism by the use of different mediums: paintings, mural wood sculptures, mixed media and staged photographs.

Through the motif of landscape shaped by human activity, he seeks to record the instability and the invisible, the time and the history, the traces left by nature and the cataclysms. His paintings looking like damaged vintage photographs of the series "The Big Blow" list some major natural disasters through the ages. Inspired by the Deep South, "Memoirs of Loss" is focused on ravaged houses, like an echo to a series of small sculptures of houses made in modest materials. Since the mid-2010s, he develops other themes into his series of landscapes, such as geopolitical considerations ("Escapism") or the memory of places ("The Book of Sand", "Ask the Dust") while pursuing his pictorial research by combining almost abstract or matierist elements ("Earth", "Labyrinths of Clay", "Urban Tissue").

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