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Fragmented Landscape III, 2025
Audrey Vo Van   New & remarkable Artists

Sculpture : clay · 84 x 44 cm 33.1 x 17.3 inch

$3,485 3 485 $US
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Shipping & delivery

Shipped from: France

Delivery to: United States , $ 127

Estimated delivery: One to two weeks

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Sold with certificate of Authenticity from the artist

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

clay on Clay , without pedestal

Dimensions ( cm • inch )

84 x 44 cm 33.1 x 17.3 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

Ceramic wall sculpture on wood panel by Audrey Vo Van, France, 2025.

This ceramic wall piece is part of Audrey Vo Van's series, inspired by geological formations and the slow passage of time. Hand-modeled in black chamotte stoneware, each fragment is individually shaped, textured, and assembled on a stained wood panel, forming an abstract topography that evokes eroded landscapes.

Natural inclusions and lighter clay fragments emerge from the dark surface, reminiscent of mineral traces revealed by erosion. The piece combines raw materiality with a sense of silent movement—a dialogue between fracture and harmony.

Mounted in a black wooden frame, this work is ready to hang. Each ceramic piece is unique and bears the imprint of the artist's gesture.

Abstract

Wall sculpture

Black

Presentation

Audrey Vo Van is a French sculptor and ceramist of Franco-Vietnamese heritage who explores the memory of inner landscapes through raw materials. After more than a decade in biomedical research, she left the world of scientific protocols for an intuitive, hands-on practice, finding a new language in clay—a language of the essential and the living.

Based in Prades-le-Lez, in the south of France, she draws inspiration from the eroded forms of nature and the contrasts between mineral and plant life. Her stoneware, often left bare, creates sensory landscapes that interact with light and shadows.

Her sculptural approach combines slow techniques (coiling, slab-building, kurinuki) with active contemplation. Her works, at the crossroads of a mural, a sculptural vase, and a free form, confront opposing tensions: the raw and the refined, the full and the empty, the feminine and the mineral. Each piece is unique, like a fragment of silence placed in space, creating a meditative and tactile universe.

Reviews from our customers

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