Fragmented Landscape III, 2025
Sculpture : clay · 84 x 44 cm 33.1 x 17.3 inch
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Shipped from: France
Delivery to: United States , $ 127
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
84 x 44 cm 33.1 x 17.3 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
Ceramic wall sculpture on wood panel by Audrey Vo Van, France, 2025.
This ceramic wall piece is part of Audrey Vo Van's series, inspired by geological formations and the slow passage of time. Hand-modeled in black chamotte stoneware, each fragment is individually shaped, textured, and assembled on a stained wood panel, forming an abstract topography that evokes eroded landscapes.
Natural inclusions and lighter clay fragments emerge from the dark surface, reminiscent of mineral traces revealed by erosion. The piece combines raw materiality with a sense of silent movement—a dialogue between fracture and harmony.
Mounted in a black wooden frame, this work is ready to hang. Each ceramic piece is unique and bears the imprint of the artist's gesture.
Presentation
Audrey Vo Van is a French sculptor and ceramist of Franco-Vietnamese heritage who explores the memory of inner landscapes through raw materials. After more than a decade in biomedical research, she left the world of scientific protocols for an intuitive, hands-on practice, finding a new language in clay—a language of the essential and the living.
Based in Prades-le-Lez, in the south of France, she draws inspiration from the eroded forms of nature and the contrasts between mineral and plant life. Her stoneware, often left bare, creates sensory landscapes that interact with light and shadows.
Her sculptural approach combines slow techniques (coiling, slab-building, kurinuki) with active contemplation. Her works, at the crossroads of a mural, a sculptural vase, and a free form, confront opposing tensions: the raw and the refined, the full and the empty, the feminine and the mineral. Each piece is unique, like a fragment of silence placed in space, creating a meditative and tactile universe.
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