Don't clean street art – Street art, graffiti, détournement de signalisation, signal diversion, société, society, Paris, 2016
Sculpture : acrylic · 60 x 60 x 3 cm 23.6 x 23.6 x 1.2 inch
€600
600 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 71
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : numbered and limited to 13 copies
3 copies available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , without pedestal
Dimensions ( cm • inch )
60 x 60 x 3 cm 23.6 x 23.6 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016
Description
This contemporary artwork embodies the ongoing tension between street art, rebellion, and authority through a striking reinterpretation of a road sign. At the center of the composition, a silhouetted figure appears to erase vibrant graffiti spilling beyond the frame, a symbolic gesture reflecting the constant attempt to control or suppress urban artistic expression.
The red circle and diagonal bar, universal symbols of prohibition, evoke the mechanisms of regulation and control imposed on public space. Visible words such as Freedom, along with peace symbols, recall that graffiti and urban art are fundamentally languages of free expression, resistance, and social dialogue.
Blending figurative art, social critique, and urban iconography, “Don’t Clean Street Art” highlights a contemporary paradox: an art form that may be institutionally supported while remaining subject to censorship and normalization. The work invites reflection on the role of street art in the city, its future, and its essential function as a space of dialogue, resistance, and reinterpretation of established codes.
Presentation
Born in 1982, the artist Romano lives and works in Paris. Having drawn and painted from a very young age, he studied in the evenings at the École Nationale des Beaux Arts in Paris while working as Artistic Director in a communications agency during the day, before attending the Créapole design school. This was when he began to make his mark on the capital’s walls, trying out several disciplines to express his spontaneity: drawings, oil paintings, acrylics, photography, stencils and collages. He developed his artwork, featuring faces, bodies and colours, to focus on more committed pieces, a result of his cultural education: an combination of French classicism and 90s hip hop. His sensitivity to two cultures which are so different leads him to ask questions about « living together ». In 2013, he collaborated with the artists Riks and Tiez to create the « LeMouvement » collective. Together, they work to celebrate diversity and, through works like « Les parapluies », extol the vibrancy of a diverse society. This work of art, combining realism and poetry, captures shared moments between two Parisians, bound by their differences, united under an umbrella. These photographic collages are displayed in the streets to create a link between subjects and passers-by. As part of this focus on bringing people together, Romano has created a fresco on the wall of the first refugee reception centre in Porte de la Chapelle. The collective has also paid tribute to the victims of the attacks of 13 November on the façade of the Ministry of Culture, Rue Saint-Honoré.
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