Tectonics 018, 2026
Sculpture : wood · 112 x 50 x 3 cm 44.1 x 19.7 x 1.2 inch
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Shipped from: Ukraine
Delivery to: Germany Free delivery
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
112 x 50 x 3 cm 44.1 x 19.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work is part of the Tectonics series, exploring structure, rhythm, and material. Wall sculpture is crafted from charred wood, shaped into two vertical elements, emphasizing both separation and unity. The surface is deeply textured through carved patterns, creating a tactile landscape that invites close inspection and physical imagination. The burnt finish enhances the natural grain while introducing a rich spectrum of dark tones.
The work is designed to be experienced not only visually but through a sense of touch — the rhythmic grooves, ridges, and indentations form a meditative structure that echoes architectural fragments or encoded surfaces. Light interacts with the relief, revealing shifting depths and micro-shadows throughout the day. The piece balances raw materiality with controlled geometry, making it suitable for contemporary interiors, galleries, or architectural spaces.
Ref. PMG-000698
Presentation
Yurii Andreichyn is a Ukrainian artist whose practice explores form, rhythm, tactility, and the quiet tension between structure and intuition. His works exist at the intersection of sculpture and abstraction, where geometry becomes a language rather than a system, and repetition turns into meditation. With a background rooted in architectural thinking, Andreichyn approaches space as something that can be felt rather than measured — visually and physically. His sculptures are built through restraint, reduction, and attention to proportion, inviting the viewer into a slow, contemplative, and tactile encounter. They do not depict narratives directly, but instead create conditions for personal reflection and sensory experience. Working primarily with natural materials, the artist allows surface, texture, and light to play an active role in shaping meaning. Imperfection, rhythm, silence, and touch are not avoided but embraced as essential elements of the work. Andreichyn's practice is driven by an interest in how objects can alter the atmosphere of a space — not by dominating it, but by quietly anchoring it.
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