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Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
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Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal
Alberto Criscione, Flying Donkey, %category% sold with %material% pedestal

Flying Donkey, 2025
Alberto Criscione  

Sculpture : terracotta · 47 x 30 x 28 cm 18.5 x 11.8 x 11 inch

€1,500 1 500 €

One of the last works available by this artist

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Shipped from: Italy

Delivery to: France , € 135

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Engraved signature

Technique & Support

terracotta

Dimensions ( cm • inch )

47 x 30 x 28 cm 18.5 x 11.8 x 11 inch Height x Width x Depth

Dimensions of pedestal:

2 x 25 x 28 cm 0.8 x 9.8 x 11 inch

Sold by

Art gallery

Almareni Art Gallery • Italy

Credentials

Vetted seller since 2026

Description

In Flying Donkey, Alberto Criscione transforms one of the most humble figures of Mediterranean tradition into a poetic symbol: the donkey, or in the Sicilian dialect, an emblem of hard work, patience, and perseverance.

The animal, dressed in a tunic evoking the sacred and adorned with small wings, is transformed into a creature suspended between earth and sky, irony and spirituality.

With his characteristic blend of lightness and introspection, Criscione stages a visual paradox: the possibility that even something burdened by the weight of matter may aspire to grace and flight.

The thus becomes a metaphor for humanity itself—struggling through everyday life while seeking redemption, a moment of transcendence made possible through imagination.

Animal

figurative

Donkeys

Anthropomorphism

Grey

brown
Alberto Criscione

Alberto Criscione

Italy  • 1981

Presentation

Born into an artistic family, he learned the fundamentals of sculpture in the workshop of his father, Giuseppe, an internationally renowned nativity-scene artist.

He began working at a very young age, creating monumental projects such as Stations of the Cross and museum scenographies throughout the province.

After more than ten years working in the field of Sacred Art, he decided to turn towards Contemporary Art and embark on a new path of experimentation. Between 2008 and 2014, he met numerous master ceramicists and sculptors throughout Italy and in Denmark, learning new techniques including stoneware and porcelain working, large-scale ceramic firing, lost-wax bronze casting, wood carving, and molding with synthetic resins.

These experiences led to the creation of the , a series of dreamlike sculptures representing a decisive departure from his early work. The series was featured in the Mondadori art magazine, in its September 2009 issue.

After settling permanently in Palermo, in 2015 he exhibited , a project inspired by ancient Greek theatre and reinterpreted in relation to contemporary society, in a solo exhibition at the neu [nòi] space.

Building on , he reinterpreted the myths of ancient Greece and created a contemporary version entitled . The project was exhibited in October 2016 and again in June 2017 as part of the group exhibition , first at XXS Aperto al Contemporaneo in Palermo and subsequently at Costantini Art Gallery in Milan. In 2018, was presented once again at neu [nòi], at Palazzo delle Aquile, for the exhibition , and at the historic church of Santa Maria dello Spasimo.

He was subsequently selected for the artist residencies organized by MABOS – Museo di Arte nel Bosco della Sila, where he created the life-size sculpture, a reinterpretation of the final battle of the hero Achilles.

In 2019, he participated in FACE in Reggio Calabria, where, together with artist Angelo Gallo of Camera 237, he created a holographic sculpture for the series.

In the autumn of the same year, he presented his new series of sculptures, at the Church of San Bartolomeo in Ragusa Ibla.

In 2024, he created the sculptural group, which was accompanied from its earliest stages by an extensive research project conducted by art historians. Their subsequent contributions formed part of the critical essays published in the catalogue, edited by Ex Libris, which documents and accompanies the entire project.

The group takes its name from the Greek concept of mercy and compassion, understood as fundamental principles of human coexistence. Conceived as a collective and monumental statement by the sculptor, the work serves as a visual testimony against war, forced exile, and the plight of refugees.

The group was exhibited at the Municipal Historical Archive of Palermo and subsequently in Agrigento, at the Diocesan Museum and the Church of San Pietro, as part of Agrigento Italian Capital of Culture 2025.

He has participated in numerous group exhibitions, and his works are held in galleries as well as public and private collections.

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Reviews from our customers

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