Study on perspective II, 2019
Sculpture : 3D print · 20 x 19 x 8 cm 7.9 x 7.5 x 3.1 inch
$522
522 $US
One of the last works available by this artist
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Shipped from: France
Delivery to: United States , $ 81
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : numbered and limited to 50 copies
10 copies available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
3D print , without pedestal
Dimensions ( cm • inch )
20 x 19 x 8 cm 7.9 x 7.5 x 3.1 inch Height x Width x Depth
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Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
Stereoscope: 3D viewer, customized with acrylic plaques
7 pairs of photographs
20 x 19 x 8 cm
Edition of 50 copies
With a signed and numbered certificat by the artist
The 4th image is one of the 7 pairs of photographs seen by manipulating the object.
Similarly involving the viewer in a more active way, Goudal’s stereoscopic images employ viewing glasses that must be peered through in order to resolve their three-dimensional images. Based upon the simple lenticular stereoscopes of the nineteenth century, the lenses focus on two different offset images which are viewed separately by each eye and combined in the brain to create the illusion of a single scene. In a way redoubling this artificiality, Goudal manipulates the depth effect of the photographs. Starting with a single image, she digitally cuts out and offsets certain elements of the image.
Cliff Lauson
Curator at the Hayward Gallery, London
7 pairs of photographs
20 x 19 x 8 cm
Edition of 50 copies
With a signed and numbered certificat by the artist
The 4th image is one of the 7 pairs of photographs seen by manipulating the object.
Similarly involving the viewer in a more active way, Goudal’s stereoscopic images employ viewing glasses that must be peered through in order to resolve their three-dimensional images. Based upon the simple lenticular stereoscopes of the nineteenth century, the lenses focus on two different offset images which are viewed separately by each eye and combined in the brain to create the illusion of a single scene. In a way redoubling this artificiality, Goudal manipulates the depth effect of the photographs. Starting with a single image, she digitally cuts out and offsets certain elements of the image.
Cliff Lauson
Curator at the Hayward Gallery, London
Presentation
Noémie Goudal is a French artist who graduated from the Royal College of Art in 2010 with an MA in Photography and lives and works in Paris. Noémie Goudal's practice is an investigation into photographs and films as dialectical images, wherein close proximities of truth and fiction, real and imagined offer new perspectives into the photographic canvas.
The artist questions the potential of the image as a whole, reconstructing its layers and possibilities of extension, through landscapes' installations. Noémie Goudal is represented by Edel Assanti (London) and Galerie Les Filles du Calvaire (Paris).
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