Shadows of the muse 1 | Minimalist Monochrome Figurative Artwork (Framed), 2025
Timi O  

Fine Art Drawings : ink · 25.5 x 19.5 x 0.1 cm 10 x 7.7 x 0 inch · Ready to hang

$360 360 $US
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Shipped from: Serbia

Delivery to: United States , $ 65

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

25.5 x 19.5 x 0.1 cm 10 x 7.7 x 0 inch Height x Width x Depth

Artwork dimensions including frame

26.5 x 20 x 0.5 cm 10.4 x 7.9 x 0.2 inch

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Description

Shadows of the muse 1 | Minimalist Monochrome Figurative Artwork

This atmospheric paper artwork made with chromatographic ink presents a delicate interpretation of a muse figure emerging from soft shadows. The composition is built with subtle grayscale tones and fluid ink gestures that evoke the timeless mood of vintage photography.

Created as part of the Retro series, the artwork reflects the emotional atmosphere of neoclassical music composed by Sergey Geokchaev. What began as a commissioned cover for a musical single gradually developed into a collection of visual miniatures inspired by sound, memory, and classical elegance.

The graceful female figure appears suspended between movement and stillness, surrounded by drifting butterflies that add a sense of lightness and imagination. The restrained palette and minimalist composition give the artwork a refined and contemplative character.

Framed in brass, the piece is perfectly suited for modern interiors, creative studios, or collectors who appreciate poetic figurative imagery.

Timi O, Shadows of the muse 1 | Minimalist Monochrome Figurative Artwork (Framed)

Timi O

Serbia  • 1990

Presentation

Timi O is the artistic name of Olga Timireva, a contemporary artist whose practice is grounded in close observation of the human figure, material transformation, and the relationship between image and lived experience.

Before dedicating herself fully to art in 2022, Timireva studied Public International Law at Lomonosov Moscow State University and spent several years working in human rights, representing individuals before Russian and international institutions. This experience continues to inform her sensitivity to vulnerability, agency, and the ways in which individuals are perceived through larger systems.

Her artistic process begins with fragments that might otherwise pass unnoticed: a face, a gesture, a body, a reflection, or the movement between light and shadow. Removed from their original context, these fragments acquire new psychological intensity.

Timireva works with ink, charcoal, translucent washes, and layered surfaces. In her RED series, she uses red acrylic ink to reinterpret classical sculpture and the human body. Through successive transparent layers, she builds volume while preserving the untouched white paper as light. The process resembles sculpting in reverse: form is constructed through accumulation rather than carved away.

Red becomes both physical and symbolic — recalling blood, warmth, danger, flesh, and vitality. Through this restricted language, Timireva examines the moment when an image stops functioning as an object and begins to feel alive.

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