Bronze Sculpture for Sale
Ella espera, 2023
Painting : collage, mixed media · 82 x 53 x 1 cm 32.3 x 20.9 x 0.4 inch
€309
309 €
Shipping & delivery
Shipped from: Mexico
Delivery to: France , € 53
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
collage, mixed media on Fine art paper
Dimensions ( cm • inch )
82 x 53 x 1 cm 32.3 x 20.9 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Description
Ella espera obra de Zeta Yeyati is a composition filled with silence, pauses and restrained emotion. This 53x82 cm mixed media work on paper presents a female figure in a state of waiting that is not passive, but dignified and quietly powerful. The title becomes a clue, a doorway into the emotional world suggested by the image. The artist blends collage, stencil, acrylic and assemblage to build a language that evokes rather than describes. Defined with essential lines and a gaze that balances nostalgia and irony, the woman takes center stage with quiet intensity. The palette—orange, brown, white and black—creates a subtle yet charged atmosphere. Visual elements such as textures, pictorial stains and graphic layers add depth and richness without disrupting the harmony. As in all of Yeyati's work, the use of discarded and unconventional materials is central. Recycling here is not just a method, but a visual philosophy. In Ella espera, fragility becomes strength, and the act of waiting becomes a form of presence.
The childlike origins of an art built from fragments and gazes
Zeta Yeyati, an Argentine visual artist, began drawing and crafting with wood in his childhood before gaining recognition as a musician. Born in Burzaco in 1965, his artistic sensitivity emerged from the margins. From the beginning, he was drawn to what others overlook, transforming ordinary remnants into visual poetry. This foundation has shaped a body of work where every stroke and object is part of a quiet yet meaningful narrative.
Ella espera obra de Zeta Yeyati and the art of silent storytelling
Ella espera obra de Zeta Yeyati embodies his free and intuitive creative process. Educated through workshops and lived experience, Yeyati resists formal categories and embraces discovery. He collects materials from street corners and flea markets, giving them a second life. In this piece, the female figure is not just drawn but constructed as a symbolic presence. Every element—texture, stain, fragment—contributes to a poetic narrative. The eyes, often the most expressive part of his characters, anchor the viewer in a timeless waiting. Ella espera obra de Zeta Yeyati is a tribute to subtlety, a demonstration of how silence can speak through visual language.
The poetic strength of the intimate and the rescued
With Ella espera, Yeyati reminds us of the beauty in stillness. This seemingly simple portrait becomes a layered reflection on identity, longing and memory. The character does not wait for another, but dwells in herself, in a space of introspection and emotional tension. The recycled materials, the compositional harmony and the expressive stillness combine to create a visual manifesto. Ella espera obra de Zeta Yeyati invites us to pause, observe and recognize the strength that lies within the quiet and the reclaimed.
Presentation
Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.
A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.
In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.
Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.
Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.
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Reviews from our customers
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