Femme derrière la vitre, Evita Peron reflet, 2008
Franck Pourcel  

Photography : silver print · 23.5 x 15.8 cm 9.3 x 6.2 inch

€400 400 €
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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 10 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

23.5 x 15.8 cm 9.3 x 6.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2021

Description

Franck Pourcel

Woman behind glass, Evita Peron reflection, Buenos Aires, 2008

Silver gelatin print

Format 23.5x15.8cm

Numbered 1/10

Franck Pourcel, Femme derrière la vitre, Evita Peron reflet
France  • 1965

Presentation

Independent photographer and author Franck Pourcel lives in Marseille. He explores the relationship between humankind and its environment. His photographic work, in black and white or color, combines a documentary approach with contemporary artistic creation. His photographs are regularly exhibited in France (notably at the Rencontres d'Arles and at Montmajour Abbey in 2013) and abroad. They are included in the collections of the National Library of France, the European House of Photography, the Regional Contemporary Art Fund (FRAC) Provence-Alpes-Côte d'Azur, the Bouches-du-Rhône Departmental Archives, the Ziem Museum in Martigues, the Mediterranean Center for Photography in Bastia, the Cherbourg Art Library, the Camargue Museum, the Muséon Arlaten, and others, and are also part of private collections.
Franck Pourcel has been the recipient of several awards and has received various grants to support publishing, creation and research, such as the grant from the mission of ethnological heritage of the Ministry of Culture.
He is the author of numerous books published by Le Bec en l'air, including (2015); text by Gilles Mora (2013); (2009); text by Jean-Pierre Ostende (2006); text by Jean-Louis Fabiani (2006); text by Anne Attané and Katrin Langewiesche (2004).

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