Colored artworks

The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.

Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.

In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.

More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.

It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."

Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?

Search by Image

Save your search and find it in your favorites

1/100 1 2 3 10 20 30 40 50 60 70 80 90 100

Categories

Subcategories

Colored artworks

Orangeade

Traffic Yellow Mix

Discogolf

Sweet thing

Abstract 22142

MB 64

Le départ

Composition 01-2022-23

Abstract collection

Bright prospects

Enchanted Glade

Dreamed Wild Shelter

Happy Hours 20201117

Multi Tags (montée sur chassis)

Sans titre #3

Geometrical shapes III

Blurred pink landscape

Sheep Flock (Love)

Playa Es Caragol

Faustine

Composition 301

Experimental Landscape 14

Drawing 435

Mare impetuoso al tramonto olio su canapa

Montpellier

Etude 3

Paris verte

Cactus, lithographie originale

Les oiseaux voyageurs

La Tristesse du Roi

Catch the stars (Standard Edition III)

Réfraction

Night Fall

Poésie

Spore 1

Welcome to the colorful side

Dream

Pleasure

Street art is back

Réf. 120

Bassin Majorelle IV

Blue abstract II

Black galaxy

55.6559834, 27.1339613

ST20240822

Aquarelle

Strata #2

My heart is Beating too Fast

More Cats For Everyone

The departure of souls

Boîte de Petri #11

La forêt intérieure

Océan 23011

Letter lover

Rose salé 1

Asthenosphere 9

Soirée dans un village au sud

Infinite Energy (Metaphysics series)

Song without words 2/34 Nigoun

Tous ces longs mots

Regard à droite

Premier jour

SF 89-153

A New Dirction

Sans titre IX

Red leaf