Bronze Sculpture for Sale
Big Tea 6, 2024
Painting : pencil · 32 x 24 x 0.1 cm 12.6 x 9.4 x 0 inch
€400
400 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 28
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
pencil on paper
Dimensions ( cm • inch )
32 x 24 x 0.1 cm 12.6 x 9.4 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This artwork, a minimalist exploration of form and color, presents four distinct circles against a stark white backdrop. Each circle, varying subtly in shade from warm beige to a muted brown, exudes a textured and organic quality, as if they were imprints or stains. The uniform arrangement of these circles creates a calming sense of balance and symmetry, inviting the viewer to contemplate the interplay of simplicity and complexity. The stark contrast between the circles and their background highlights the tactile nature of the medium, while the artist's subtle use of color variation invites a deeper inspection of each individual form. This piece exemplifies a refined precision and meditative tranquility, capturing the essence of minimalist art by transforming everyday simplicity into an engaging visual experience.
Presentation
Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She always preferred pas/pas/passionately the image to the word and all this despite crises of Bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite. After studying at the Chisinau Art Academy in Moldavia and Ecole Nationale des Beaux-Arts de Paris, France, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle. Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she presented drawings on the three levels of the gallery. Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It's a kind of hide-and-seek game, to say and shut up.
Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black. In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder."
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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