Untitled, 2024
Painting : Watercolour · 113 x 113 x 0.1 cm 44.5 x 44.5 x 0 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 125
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour on paper
Dimensions ( cm • inch )
113 x 113 x 0.1 cm 44.5 x 44.5 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This dynamic artwork captivates with its explosive interplay of colors and fluid motion. Bold strokes of burgundy, purple, and yellow cascade across the canvas, creating a sense of vibrant spontaneity. The abstract forms suggest floral motifs, with central blossoms emerging through wispy, translucent layers. The piece captures a tension between control and chaos as colors bleed into one another, forming a harmonious yet unpredictable composition. The artist's technique evokes movement and energy, with splatters and drips adding texture and depth. The minimal use of black punctuates the vivid palette, adding contrast and emphasizing the central figures. This work embodies a dynamic exploration of color and form, inviting viewers to engage with its emotive intensity and layered complexity.
Presentation
Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She always preferred pas/pas/passionately the image to the word and all this despite crises of Bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite. After studying at the Chisinau Art Academy in Moldavia and Ecole Nationale des Beaux-Arts de Paris, France, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle. Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she presented drawings on the three levels of the gallery. Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It's a kind of hide-and-seek game, to say and shut up.
Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black. In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder."
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