Untitled, 2024
Painting : Watercolour · 113 x 113 x 0.1 cm 44.5 x 44.5 x 0 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 40
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour on paper
Dimensions ( cm • inch )
113 x 113 x 0.1 cm 44.5 x 44.5 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
This vibrant artwork showcases a mesmerizing blend of abstract expression through watercolor application. Dominated by fiery hues of red, orange, and yellow, the composition conveys an explosive energy. The upper section features blooming, amorphous shapes, resembling fiery blossoms or an abstracted landscape at sunset. Delicate drips and splatters descend, creating dynamic movement and depth. The skillful use of color gradient transitions from intense reds and oranges to softer yellow tones, exuding warmth and vitality. The artist employs a fusion of controlled brushwork and spontaneous techniques, evoking a sense of both chaos and harmony. This piece is a testament to the artist's ability to manipulate water and pigment, resulting in an evocative and impactful visual experience.
Presentation
Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She always preferred pas/pas/passionately the image to the word and all this despite crises of Bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite. After studying at the Chisinau Art Academy in Moldavia and Ecole Nationale des Beaux-Arts de Paris, France, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle. Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she presented drawings on the three levels of the gallery. Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It's a kind of hide-and-seek game, to say and shut up.
Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black. In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder."
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