Presentation
Boris Pramatarov was born 1989. He is a Bulgarian Visual Artist based in Belgium, BA in Book and Printed Graphics at National Academy of Arts, Sofia (BG) and MA in Graphic Art (obtained with Great Distinction), Royal Academy of Fine Arts (KASK), Ghent (BE).
Boris has specialized illustration at Duksung Women University, Seoul (KR) and Sint-Lucas School of Arts, Ghent (BE). He is author of the artist's books: "My Demons" (2012, South Korea), "Doppelgänger" (2013, Sofia), "Amygdala" (2013, UDA, Paris), “Cherophobia" (2015, E2& L'Appât, Brussels), “The Observer" (2016, Le Dernier Cri, Marseille); “The Observer 2" (2017, Brussels), “Insects' Secrets" (2018, Brussels), “Etomon" (2018, E2 & L'appat, Brussels). His comics “A Short Story About Communication / Love" is the winner of Fumetto World Comics Competition, Luzern 2017. His illustrations have been published in The New York Times, De Standaard (BE), Капитал (BG) and he has made drawings for Volcom (Amsterdam), Dr. Martens (Ghent), adidas Originals (Moscow), Absolut Vodka (Sofia). “Postindustrial" (2015) is his first animated film.
Isolation - She Can't Wear Her Social Masks Anymore
Boris Pramatarov
Print - 27.6 x 19.7 inch
$203 $183
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Who is the artist?
Boris Pramatarov was born 1989. He is a Bulgarian Visual Artist based in Belgium, BA in Book and Printed Graphics at National Academy of Arts, Sofia (BG) and MA in Graphic Art (obtained with Great Distinction), Royal Academy of Fine Arts (KASK), Ghent (BE).
Boris has specialized illustration at Duksung Women University, Seoul (KR) and Sint-Lucas School of Arts, Ghent (BE). He is author of the artist's books: "My Demons" (2012, South Korea), "Doppelgänger" (2013, Sofia), "Amygdala" (2013, UDA, Paris), “Cherophobia" (2015, E2& L'Appât, Brussels), “The Observer" (2016, Le Dernier Cri, Marseille); “The Observer 2" (2017, Brussels), “Insects' Secrets" (2018, Brussels), “Etomon" (2018, E2 & L'appat, Brussels). His comics “A Short Story About Communication / Love" is the winner of Fumetto World Comics Competition, Luzern 2017. His illustrations have been published in The New York Times, De Standaard (BE), Капитал (BG) and he has made drawings for Volcom (Amsterdam), Dr. Martens (Ghent), adidas Originals (Moscow), Absolut Vodka (Sofia). “Postindustrial" (2015) is his first animated film.
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