I fear the finitude of drawing, the "polished", hygienic, predictable, perfect line. I look for the suspended touch, the unfinished, the creative error, the imperfections.
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Neither political, nor narrative, nor illustrative, nor cathartic, my painting and drawing focus on plastic parameters.
By wanting too much to tell a story, to defend an idea, to describe a reality, painting loses all its meaning because it does not address the mind but the feeling, a part of the brain which nourishes a neglected area and which innervates our senses .
A painter is a researcher, an alchemist.
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