Sans titre, 1962
Fine Art Drawings : ink · 65 x 50 x 0.5 cm 25.6 x 19.7 x 0.2 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
65 x 50 x 0.5 cm 25.6 x 19.7 x 0.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Woman poet, illustrator, painter, designer, Andrée Vilar (1916-2009) leaves a little-known work. A journey through time to shed light on a discreet and passionate artist.
From its beginnings to its final works, it is the spectacle of a production where the softness and the power of the forms, the intimate and the myth mingle.
The inks of the 1960s are representative of his imaginary world, very influenced by his Mediterranean roots.
There are seabirds, the wind, clouds, women's bodies, the sun, boats and very often the sea.
Protected shipment
From its beginnings to its final works, it is the spectacle of a production where the softness and the power of the forms, the intimate and the myth mingle.
The inks of the 1960s are representative of his imaginary world, very influenced by his Mediterranean roots.
There are seabirds, the wind, clouds, women's bodies, the sun, boats and very often the sea.
Protected shipment
Presentation
Andrée Vilar (1916 - 2009)
Painter, engraver, ceramist and poet.
His inks and gouaches are representative of the environment that was his for a large part of his life, Sète and the Mediterranean.
Mythology was also a source of inspiration that we find in the 1970s in tapestries and in his penciled gouaches.
She met the painters who were numerous to work with her husband, Jean Vilar, man of the theater, such as Léon Gischia, Singier, Manessier, Pignon, Prassinos, Calder and many others.
François Desnoyer and his wife Souza were friends from Sète.
At the very beginning of her Parisian life, she worked with her younger sister, Valentine Schegel, ceramicist and sculptor. The decorative motifs were his participation in their joint productions.
They shared the same workshop in Paris for a long time.
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