Untitled, 2024
Doïna Vieru  

Painting : pencil · 75 x 50 x 0.1 cm 29.5 x 19.7 x 0 inch

$1,054 1 054 $US

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Shipped from: France

Delivery to: United States , $ 155

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

75 x 50 x 0.1 cm 29.5 x 19.7 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2015

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Description

This striking artwork features a dynamic interplay of bold black lines and soft white forms on a stark canvas, creating an evocative contrast. The upper portion reveals a sweeping application of white, resembling chaotic clouds or cascading smoke, which engulfs much of the scene. Beneath, dark drips and scribbles introduce a sense of movement and disorder, hinting at underlying complexity and chaos. Angular black lines intersect and overlap in the lower region, suggesting a fragmented structure or abstract framework. The artist employs a raw, expressive style that invites interpretation, challenging viewers to decode the depths of emotion conveyed. The use of monochrome enhances the work's intensity and raw energy, emphasizing the depth and impact of the brushstrokes. This composition showcases a masterful blend of abstraction and expression, making it a compelling centerpiece that engages and provokes thought.

Abstract

Writing

White

Black

Doïna Vieru, Untitled

Doïna Vieru

Ecuador  • 1978
101 followers

Presentation

Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She always preferred pas/pas/passionately the image to the word and all this despite crises of Bartlébysme. Between "I would prefer not to", pencils, papers, pvc or metal and other sharp instruments, the game remains his eternal favorite. After studying at the Chisinau Art Academy in Moldavia and Ecole Nationale des Beaux-Arts de Paris, France, she left Europe for Ecuador where she developed her own artistic language between mountains and jungle. Her return to 2019 in Paris is marked by an event-hanging at the Nesle gallery where she presented drawings on the three levels of the gallery. Her work, which has been exhibited regularly in Ecuador, Mexico, France, Romania and Moldova, still deals with the inexpressible. It's a kind of hide-and-seek game, to say and shut up. 

Her production is serial: she paints on herself, on her pregnancies, to the rhythm of Tchaikovsky's Opus 35 or in the melanomaniac search for black. In the last series of drawings it is a question of hiding and destroying poetry by freely playing on large photographic paper with layers-history - palimpsests - superimposed where unintelligible writing mixes with charcoal, ink, with white acrylics and black stone. It is the rewriting of the disaster, a direct reference to the work of Maurice Blanchot: "When all is said, what remains to be said is the disaster, ruin of speech, failure in writing, rumor that murmurs: this which remains without remainder."

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