L'Arcane sans Nom (La Mort), 2021
Konstantin Kornakov  

Fine Art Drawings : pigment ink · 29.7 x 21 cm 11.7 x 8.3 inch · Ready to hang

€333 333 €
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Delivery to: Italy , € 30

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : numbered and limited to 5 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

29.7 x 21 cm 11.7 x 8.3 inch Height x Width x Depth

Artwork dimensions including frame

31.7 x 23 cm 12.5 x 9.1 inch

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Vetted seller since 2017 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

Image size: 18.5 x 11.5 cm
Paper size: 29.7 x 21 cm

Konstantin Kornakov revisits the Tarot cards by incorporating his unique aesthetic, marked by the use of characters from his series "The Sub-Cones." This project fuses traditional Tarot imagery with contemporary and urban elements, creating a distinctive visual language.

The Nameless Arcanum (XIII)
Often referred to as "Death," this card doesn't necessarily symbolize physical death, but rather transformation and rebirth. The skeletal figure harvesting crops suggests that an end is necessary for renewal to emerge. This card represents radical change, the closing of a cycle, and a new beginning.

Symbolism: Transformation, renewal, end of a cycle. The Nameless Arcanum embodies a profound transition, an inevitable and necessary change for personal evolution.

Interpretation: This card announces an end, but also a new opportunity. It invites us to accept change and detach ourselves from what is no longer useful. Reversed, it can reveal resistance to change or a difficult transition.

Graphic

Everyday life

Pop Art

Maps

Rooster

Card game

Death

Tarot

Grey

orange

Konstantin Kornakov, L'Arcane sans Nom (La Mort)
Russian Federation  • 1970
51 followers

Presentation

Painter and designer, Konstantin Kornakov is also a photographer. His images have the particularity that even if he photographs elements he sees and finds in the street, they represent neither people, nor objects, nor real landscapes.

He uses his device less as a means of recording reality than as an instrument of vision. Because what he photographs are visions first of all. He need indeed have had some kind of visual revelation to be able, then, to press the shutter.

His motives are fragments of urban landscapes, non-identifiable corners with no importance for "where", but with its plastic quality, the visual event, the fact of appearance of an element of beauty in the cacophony of the world.

Artist lives and works in Moscow.

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