Not a Free Fall, 2023
Fine Art Drawings : ink · 63 x 46 x 0.1 cm 24.8 x 18.1 x 0 inch
$450
450Â $US
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Shipped from: Montenegro
Delivery to: United States , $ 73
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
63 x 46 x 0.1 cm 24.8 x 18.1 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
In this work, Yana Dmitrieva explores the state of forced emigration — when the choice no longer belongs to the individual but is imposed by external circumstances.
A falling figure with eyes covered symbolizes disorientation, loss of control, and the inability to influence one's own path. This is not an act of freedom, but an experience of helplessness, where the person becomes a hostage of the situation.
This is a visual statement about inner paralysis and the invisible line between personal choice and coercion. The work reflects an emotional state where fear and despair become the background for every uncertain step into the unknown.
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Presentation
Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.
Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.
Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.
Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.
Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.
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