Echoes Made Solid, 2025
Fine Art Drawings : Watercolour, pencil · 28 x 19 x 0.01 cm 11 x 7.5 x 0 inch
$300
$270
270 $US
Shipping & delivery
Shipped from: Montenegro
Delivery to: United States , $ 45
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , pencil on paper
Dimensions ( cm • inch )
28 x 19 x 0.01 cm 11 x 7.5 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
"Echoes Made Solid" | Contemporary Abstract Art | Green, Purple & Yellow Hues | Evocative Mixed Media for Modern Decor
This work is part of a new series that explores the boundary between the tangible and the intangible in human connection. It examines how the visible can quietly fade into the invisible: emotions, and, how the unseen: fears, inhibitions, can be brought into visibility within interpersonal relationships. This reversal of presence and absence creates a subtle perceptual shift in our understanding of relational dynamics, challenging us to reconsider what is truly felt or observed between people.
Its thoughtful composition and evocative palette of greens, purples, and golden hues render it an exceptional addition for discerning collectors and a remarkable centerpiece for any sophisticated, modern interior. An ideal, thought-provoking gift for those who appreciate art that resonates with intellectual and emotional depth.
(The artwork is shipped on a roll in a tube)
Presentation
Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.
Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.
Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.
Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.
Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.
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