00:11 Virevoltant parmi les banians, 2024
Ludovic Nino  

Fine Art Drawings : Indian ink · 34.5 x 49 x 1 cm 13.6 x 19.3 x 0.4 inch · Ready to hang

€1,300 1 300 €
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Shipped from: France

Delivery to: France , € 60

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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

34.5 x 49 x 1 cm 13.6 x 19.3 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

44.5 x 59 x 1.5 cm 17.5 x 23.2 x 0.6 inch

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Credentials

Vetted seller since 2025

Discount

This seller offers discount when you purchase multiple artworks.

Description

Crossed Roots : Colonial Memories and Plant Resilience.

Taiwan memories series.

Ludovic Nino addresses memory as a network of interconnected narratives, where landscapes become silent guardians of colonial histories and cultural resistance.

His new series, draws inspiration from the parallels he creates between the Caribbean and Taiwan, two territories shaped by complex colonial heritages.
Fig trees, with their invasive roots, become metaphors of the layers of memory that remain alive despite historical changes.
In his drawings made with ink on Korean paper, Nino overlays symbols of resistance from Maroon communities in the Caribbean with traces of Japanese colonization in Taiwan, where these trees symbolize both the oppression and resilience of local populations. His works perform as visual archives, where each fig tree carries fragments of narratives that are often marginalized or forgotten.

By portraying these trees simultaneously suffocating and preserving the vestiges of the past, Nino highlights how collective memory takes root in landscapes, transforming them into silent but persistent testimonies of cultural conflict and adaptation.
For Nino, memory is not simply a heritage: it's a living process, where the past and the present constantly confront and reinvent each other.

Ludovic Nino, 00:11 Virevoltant parmi les banians

Ludovic Nino

France  • 1990

Presentation

Ludovic Nino is a contemporary artist born in Paris in 1990. Born into a family originally from the countryside of Saint-Marie in Martinique, he was raised between the metropole and the Creole stories transmitted by his father, which deeply influenced his artistic vision. Graduated from the Beaux-Arts in Paris, he won third prize for contemporary drawing from the Cabinet des amateurs de dessin des Beaux-Arts de Paris in 2019.

His work explores the remnants of colonialism, issues of memory, resistance and cultural metissage in compositions combining minerals and plants, highlighting historical layers and tensions between nature and human construction. Nino is particularly attracted to wastelands, ruins, and marginal spaces, which he sees as places of struggle and reappropriation by nature and marginalized cultures. His works, often created with ink or paint, evoke landscapes steeped in history, where Caribbean, Japanese, and Taiwanese heritages meet.

In 2023, he participated in an artist residency in Kaohsiung, Taiwan, at the Kio-A-Thau Art Village, where he developed a series of works inspired by Taiwanese landscapes, Japanese colonial ruins, and native vegetation, particularly banyan and flamboyant trees.
This residency allows him to explore his views on cycles of construction and destruction, as well as the resilience of cultures in the context of colonial history. His recent creations, such as the series “Présence" (2024-2025), illustrate this confrontation between abandoned architecture and invasive nature, symbolizing the metamorphosis of identities and territories.

Ludovic Nino has presented his work in several group and solo exhibitions in France and abroad, notably at the Salon de Montrouge in 2025, the Fondation Clément in Martinique, and during the Kio-A-Thau residency in Taiwan.
His artistic approach, combining poetry and politics, questions the traces of the past and the possible reinventions of spaces and memories.

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