Sculpture 1, 2025
Laurent Anastay-Ponsolle  

Fine Art Drawings : ink, charcoal, pastel · 56 x 76 x 0.1 cm 22 x 29.9 x 0 inch

€950 950 €

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Shipped from: France

Delivery to: Germany , € 105

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

56 x 76 x 0.1 cm 22 x 29.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2021

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This seller offers discount when you purchase multiple artworks.

Description

In Sculpture 1, Laurent Anastay-Ponsolle explores the body through the aesthetics of shibari, used here as a visual and emotional language. Black charcoal structures the scene, while the warm browns of walnut stain lend an organic depth. The paper breathes, leaving areas suspended, almost silent.

Shibari becomes a sculptural form that transforms the body into volume, between human presence and abstraction. The lines seek and then erase, suggesting a body that is both alive and frozen, caught between contained emotion and an almost clinical coldness.

The overall effect is a sober and unsettling atmosphere. Poised between desire, control, and vulnerability, the work suggests more than it shows, leaving the viewer space to project their own inner tensions.

Nude

Portrait

Human body

Couple

Sensuality

Shibari

White

Black

Laurent Anastay-Ponsolle, Sculpture 1
France  • 1982
128 followers

Presentation

Self-taught, Laurent Anastay-Ponsolle has always maintained an emotional relationship with his artistic practice: the feeling is his favorite exploration territory. From the very beginning, he goes where his instinct guides him. He prefers to photograph his model from different angles in order to choose what interests him in a pose, rather than retranscribing the primary truth. 

An obsession, the hands. Possessive, fragile or powerful, sensual or anonymous, they emerge as spectres to capture the attention and to give the essential emotional charge of the composition.

Through his erratic line, Laurent Anastay-Ponsolle tracks down emotions to expose them. He explores the sensitive, the ephemeral, the fragile. By accumulation or deletion, the eye is lost and the individuals disappear: infinite embraces, perpetual, by self forgetfulness or other forgetfulness, the features and the personalities fade away.

To express this research, an obvious medium, drawing. Then painting. However even through this one, the drawing emerges faces like an indelible mark. Saturation, breathing, its repentances are apparent: it scratches erases, erases and underlines its subject. Forbidding himself the use of an eraser, his technique is in the image of his subject: embodied, raw and spontaneous.

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