Bronze Sculpture for Sale
Au jardin, 2013
Fine Art Drawings : pencil · 29.7 x 21 x 0.1 cm 11.7 x 8.3 x 0 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
29.7 x 21 x 0.1 cm 11.7 x 8.3 x 0 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
In the garden
Pencil on paper, 2013
One might think it's a peaceful scene. A young woman standing among the plants. A garden like so many others. And yet, no.
She holds her flower like a secret. She looks at no one. She listens. Perhaps to the wind, perhaps to her own thoughts. The trees are straight, almost austere. In the distance, two figures walk away. The moon has already risen.
Everything is simple: a line, a shadow, some foliage. No effects. No artifice. The pencil goes straight to the heart of the matter. It's a drawing that doesn't try to seduce — and that's why it resonates.
Here we find that feminine figure so dear to the artist: silent, introspective, both present and distant. A scene that seems familiar yet remains mysterious.
This drawing dates from 2013, a pivotal period in Thomas Groslier's exploration of symbolic landscapes and the female figure. It already reveals what would become the hallmark of his work: an apparent gentleness tinged with a subtle unease.
Presentation
However, it differs radically from comics in that it is not influenced by them.
His work is rooted in a demanding pictorial tradition, where emotion and intuition take precedence over codes and systems. His career testifies to a constant quest for authenticity and a practice resolutely focused on the essential.
Exhibitions: Her work has been exhibited in various venues in France, including galleries and museums. Find all her exhibitions HERE.
For him, painting is about doing what you want, as personally as possible, without worrying about pleasing others or proving anything. It's about having fun, staying relaxed, and letting the image emerge, without filter or calculation.
His subjects are varied and unpredictable: portraits, bathers, landscapes, still lifes, decorative settings, or genre scenes. Anything can spark his imagination: a figure glimpsed in the street, a garden, a forgotten old canvas, a stroll through Paris. Nothing is premeditated. Ideas simply arrive, and the artist seizes them on the fly. No logic, no system—just the moment when the image imposes itself, without explanation or permission.
The artist favors small, more intimate, and more direct formats. He works primarily in oil or tempera—a sophisticated technique steeped in history, which he sometimes blends with oil. Tempera, with its precision and luminosity, allows for even application of layers, resulting in a smooth and understated finish, free from gestural exaggeration. The supports (canvas, wood, cardboard) are most often prepared by the artist himself, reinforcing the physical connection with the artwork.
His limited and cool palette (blues, greys, greens) accentuates the enigmatic and dreamlike nature of his compositions. The image must be immediately legible, almost neutral, to leave ample room for interpretation and emotion.
With Thomas Groslier, there are no displays of virtuosity, no "I know how to do it better than everyone else." Just free, spontaneous painting, where each canvas is a response to an inner impulse, an image springing from the unconscious or inspired by everyday life. A body of work that invites us to see the world with curiosity, lightness, and depth.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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