Tranquilo no llueve, Circa 2023
Fine Art Drawings : charcoal, paper · 114 x 87 x 3 cm 44.9 x 34.3 x 1.2 inch
Shipping & delivery
Shipped from: Spain
Delivery to: Germany , € 175
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
charcoal , paper on Fine art paper
Dimensions ( cm • inch )
114 x 87 x 3 cm 44.9 x 34.3 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022
Discount
This seller offers discount when you purchase multiple artworks.
Description
This artwork depicts a makeshift boat constructed from chaotic, interwoven branches, sketched with dynamic black strokes that convey movement and tension. Resting within the vessel are numerous indistinct figures, huddled closely, embodying themes of migration and uncertainty. Beneath the boat, the phrase “Tranquilo No Llueve" is inscribed, juxtaposing calm assurance with the stark image above. This bold use of text challenges viewers to ponder the complexities of human resilience amid adversity, with a little scense of humour. The piece's monochromatic palette intensifies its emotional impact, while the artist's technique deftly balances intricacy and raw expression. The overall composition is both haunting and thought-provoking, inviting a reflection on the struggle and hope symbolized by the precarious journey. The artwork stands as a compelling narrative of survival and the human spirit's indomitable will.
Presentation
Luis Maraver is a Spanish contemporary artist whose practice is grounded in a sustained exploration of material, surface, and the temporal dimension of painting. His work is characterized by a process-driven approach in which pigments, binders, and often natural or mineral elements are layered, altered, and reworked over time.
Rather than treating painting as a purely representational medium, Maraver approaches it as a site of transformation. Its compositions frequently emerge through accumulation and erosion, where forms are not immediately given but gradually revealed through successive interventions. This method results in surfaces that retain visible traces of their own making, allowing the viewer to perceive time as an active component within the work.
His visual language operates between abstraction and figuration. While certain works may evoke landscapes, architectural fragments, or symbolic motifs, these references remain embedded within the material structure of the painting rather than explicitly defined. The image is therefore not imposed but discovered through process.
A defining aspect of Maraver's practice is his use of raw and often unconventional materials, which contribute to the density and physical presence of the surface. This emphasis on matter aligns his work with broader post-war painterly traditions that prioritize gesture, substance, and the autonomy of the medium.
Maraver's work has been presented in galleries and exhibitions in Spain and internationally, where it has been noted for its restrained palette, material depth, and the tension it maintains between formation and dissolution.
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