Tranquilo no llueve, Circa 2023
Luis Maraver  

Fine Art Drawings : charcoal, paper · 114 x 87 x 3 cm 44.9 x 34.3 x 1.2 inch

€3,500 3 500 €

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Shipped from: Spain

Delivery to: Germany , € 175

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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

114 x 87 x 3 cm 44.9 x 34.3 x 1.2 inch Height x Width x Depth

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Description

This artwork depicts a makeshift boat constructed from chaotic, interwoven branches, sketched with dynamic black strokes that convey movement and tension. Resting within the vessel are numerous indistinct figures, huddled closely, embodying themes of migration and uncertainty. Beneath the boat, the phrase “Tranquilo No Llueve" is inscribed, juxtaposing calm assurance with the stark image above. This bold use of text challenges viewers to ponder the complexities of human resilience amid adversity, with a little scense of humour. The piece's monochromatic palette intensifies its emotional impact, while the artist's technique deftly balances intricacy and raw expression. The overall composition is both haunting and thought-provoking, inviting a reflection on the struggle and hope symbolized by the precarious journey. The artwork stands as a compelling narrative of survival and the human spirit's indomitable will.

Luis Maraver, Tranquilo no llueve

Luis Maraver

Spain  • 1957

Presentation

Luis Maraver is a Spanish contemporary artist whose practice is grounded in a sustained exploration of material, surface, and the temporal dimension of painting. His work is characterized by a process-driven approach in which pigments, binders, and often natural or mineral elements are layered, altered, and reworked over time.

Rather than treating painting as a purely representational medium, Maraver approaches it as a site of transformation. Its compositions frequently emerge through accumulation and erosion, where forms are not immediately given but gradually revealed through successive interventions. This method results in surfaces that retain visible traces of their own making, allowing the viewer to perceive time as an active component within the work.

His visual language operates between abstraction and figuration. While certain works may evoke landscapes, architectural fragments, or symbolic motifs, these references remain embedded within the material structure of the painting rather than explicitly defined. The image is therefore not imposed but discovered through process.

A defining aspect of Maraver's practice is his use of raw and often unconventional materials, which contribute to the density and physical presence of the surface. This emphasis on matter aligns his work with broader post-war painterly traditions that prioritize gesture, substance, and the autonomy of the medium.

Maraver's work has been presented in galleries and exhibitions in Spain and internationally, where it has been noted for its restrained palette, material depth, and the tension it maintains between formation and dissolution.

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