Oscuridad, Circa 2023
Luis Maraver  

Fine Art Drawings : charcoal, paper · 114 x 87 x 3 cm 44.9 x 34.3 x 1.2 inch

€3,500 3 500 €

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Shipped from: Spain

Delivery to: Germany , € 175

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

114 x 87 x 3 cm 44.9 x 34.3 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2022

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This seller offers discount when you purchase multiple artworks.

Description

This monochromatic artwork vividly portrays a surreal scene where a massive, intricately woven structure resembling a boat is elevated above the ground. The vessel is brimming with sculpted animals in varying poses, invoking a sense of urgency and movement. Beneath the structure, a complex network of roots descends, extending downwards with stark, linear precision, suggesting a connection between the ethereal and the earthly. The contrast between the chaotic, crowded upper section and the disciplined, root-like lines below creates a tension that is both intriguing and unsettling. The artist skillfully uses black and white contrasts to enhance the drama, while the meticulous detailing of each animal and root speaks to a deeper narrative about connectivity and survival. This artwork challenges viewers to contemplate themes of environment, displacement, and the intricate balance of life.

Animal

figurative

Farm animals

Noah's ark

Bible scene

Boat

White

Black

Luis Maraver, Oscuridad

Luis Maraver

Spain  • 1957

Presentation

Luis Maraver is a Spanish contemporary artist whose practice is grounded in a sustained exploration of material, surface, and the temporal dimension of painting. His work is characterized by a process-driven approach in which pigments, binders, and often natural or mineral elements are layered, altered, and reworked over time.

Rather than treating painting as a purely representational medium, Maraver approaches it as a site of transformation. Its compositions frequently emerge through accumulation and erosion, where forms are not immediately given but gradually revealed through successive interventions. This method results in surfaces that retain visible traces of their own making, allowing the viewer to perceive time as an active component within the work.

His visual language operates between abstraction and figuration. While certain works may evoke landscapes, architectural fragments, or symbolic motifs, these references remain embedded within the material structure of the painting rather than explicitly defined. The image is therefore not imposed but discovered through process.

A defining aspect of Maraver's practice is his use of raw and often unconventional materials, which contribute to the density and physical presence of the surface. This emphasis on matter aligns his work with broader post-war painterly traditions that prioritize gesture, substance, and the autonomy of the medium.

Maraver's work has been presented in galleries and exhibitions in Spain and internationally, where it has been noted for its restrained palette, material depth, and the tension it maintains between formation and dissolution.

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