September 11, 2001
Fine Art Drawings : ink · 70 x 50 x 0.1 cm 27.6 x 19.7 x 0 inch
Shipping & delivery
Shipped from: Slovak Republic
Delivery to: Germany , € 78
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
ink on Arches paper
Dimensions ( cm • inch )
70 x 50 x 0.1 cm 27.6 x 19.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
This ink composition plays on a radical contrast. Two massive black blocks dominate the upper part. Their presence is heavy and immobile. Below, a chaos of geometric lines is scattered. Architectural structures seem to collapse in a fragmented movement.
The line is precise and rigorous. It testifies to a solid formation in architecture. The artist explores here the tension between order and deconstruction. The emptiness of the white paper accentuates the fall of the forms.
The conceptual approach transforms the drawing into a reflection on stability. Each angle, each intersection creates a complex visual dynamic. This 2014 work combines mathematical rigor and graphic intuition. The monochrome rendering emphasizes the strength of the ink drawing.
Presentation
Lýdia Jergušová-Vydarená (b. 1940, Banská Bystrica, Slovakia) is one of the leading figures of Slovak contemporary art. After studying architecture at the Slovak University of Technology in Bratislava, she continued her education at the Academy of Fine Arts and Design in Bratislava between 1964 and 1968 under Professor Peter Matejka.
Her multidisciplinary practice spans monumental art, textile art, drawing, painting, and printmaking. From the 1960s through the 1980s, she completed numerous site-specific commissions for architectural spaces, including stained-glass works, mosaics, tapestries, and large-scale interior installations. A significant aspect of her oeuvre is her innovative approach to handwoven tapestry, in which she developed a distinctive technique of layered weft structures.
Since the 1990s, Jergušová-Vydarená has focused increasingly on graphic art, particularly screen printing and conceptually driven series that explore themes inspired by science, mathematics, and contemporary systems of knowledge. Her work is characterised by a unique dialogue between intuitive artistic expression and intellectual inquiry, investigating the relationships between nature, humanity, scientific discovery, and visual language.
Alongside her artistic practice, she has held academic positions at the Faculty of Architecture of the Slovak University of Technology, the Academy of Arts in Banská Bystrica, and the Academy of Fine Arts and Design in Bratislava. She also served as Vice-Rector of the Academy of Arts in Banská Bystrica.
Her work has been widely exhibited in both solo and group exhibitions in Slovakia and abroad and is represented in numerous public and private collections. Throughout her career, Jergušová-Vydarená has established herself as an artist whose work bridges artistic experimentation, intellectual rigor, and a profound engagement with the contemporary world.
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