The mathematicians, Circa 2018
Print : Screen Print · 89 x 60 cm 35 x 23.6 inch
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Shipped from: Slovak Republic
Delivery to: United States , $ 167
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
89 x 60 cm 35 x 23.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
A powerful tension defines this composition. A human figure emerges from a chaotic storm of geometric fragments. Precise lines collide with organic softness. The anatomy is rendered with masterful classical skill. Detailed shading brings a tactile quality to the muscular form.
This artwork explores the intersection of stability and disintegration. Sharp architectural planes slice through the torso. They create a visual rhythm of fragmentation. The figure seems to be both assembling and dissolving into the grey void.
A subtle palette of muted purples and soft pinks breathes life into the monochromatic base. These ethereal hues highlight the transition between the physical body and abstract space. The movement is fluid yet interrupted. Dynamic diagonals drive the eye upward. The contrast between the rigorous sketching and the fluid color gradients evokes a sense of modern fragility. Every line serves a purpose. The floating shards suggest a psychological state of flux. The composition captures a moment of suspension. It balances the weight of the human form against the lightness of a digital explosion. Precise hatching adds depth to the lower limbs. The piece finishes with a focused gaze on the anatomical precision of the foot.
Presentation
Lýdia Jergušová-Vydarená (b. 1940, Banská Bystrica, Slovakia) is one of the leading figures of Slovak contemporary art. After studying architecture at the Slovak University of Technology in Bratislava, she continued her education at the Academy of Fine Arts and Design in Bratislava between 1964 and 1968 under Professor Peter Matejka.
Her multidisciplinary practice spans monumental art, textile art, drawing, painting, and printmaking. From the 1960s through the 1980s, she completed numerous site-specific commissions for architectural spaces, including stained-glass works, mosaics, tapestries, and large-scale interior installations. A significant aspect of her oeuvre is her innovative approach to handwoven tapestry, in which she developed a distinctive technique of layered weft structures.
Since the 1990s, Jergušová-Vydarená has focused increasingly on graphic art, particularly screen printing and conceptually driven series that explore themes inspired by science, mathematics, and contemporary systems of knowledge. Her work is characterised by a unique dialogue between intuitive artistic expression and intellectual inquiry, investigating the relationships between nature, humanity, scientific discovery, and visual language.
Alongside her artistic practice, she has held academic positions at the Faculty of Architecture of the Slovak University of Technology, the Academy of Arts in Banská Bystrica, and the Academy of Fine Arts and Design in Bratislava. She also served as Vice-Rector of the Academy of Arts in Banská Bystrica.
Her work has been widely exhibited in both solo and group exhibitions in Slovakia and abroad and is represented in numerous public and private collections. Throughout her career, Jergušová-Vydarená has established herself as an artist whose work bridges artistic experimentation, intellectual rigor, and a profound engagement with the contemporary world.
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