Trace de toi, 2026
Fine Art Drawings : ink, paper, ballpoint pen, gold leaf, collage · 34 x 23 x 1 cm 13.4 x 9.1 x 0.4 inch
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 61
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
34 x 23 x 1 cm 13.4 x 9.1 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This composition explores the fragility of memory through a play of superimposed textures. The gaze moves through an assembly of aged papers, where the hesitant line of the pencil dialogues with areas of erasure.
Filament sketches suggest fleeting, almost spectral silhouettes. The drawing intertwines with the tears in the support, creating a tactile depth.
The economy of colors reinforces the intimate aspect of the scene. A few touches of ochre and neutral gray structure the space.
The most singular element resides in the application of gold leaf. These metallic flashes punctuate the surface, bringing a precious light into the midst of organized chaos.
The contrast between the dullness of the paper and the brilliance of the metal guides the visual reading. This piece, created in 2026, presents itself as a visual journal where emptiness occupies as much space as fullness.
The final rendering evokes a fragment of a found archive, marked by the passage of time and the natural wear of the materials.
Artwork on paper presented under an off-white mat board in the standard 40 × 50 cm format, whose centered opening intensifies and highlights the duality of the subject.
Presentation
Aurélie Salvaing focuses on subtitling life. She thus draws portraits and attitudes in ink and ballpoint pen on backgrounds created from fragments of books and maps. She invites viewers to experience different depths. Each of her works seems to hold a secret door that opens onto poetic and sensitive interior landscapes.
Initially, she had fun sketching lawyers, for whom she was doing research, on books destined for destruction and which evoked their professions. The approach seemed promising to her, as words opened up new perspectives for drawings. Once she took flight, she maintained her attachment to texts and if her first works were elaborated solely on and by writings, she quickly emancipated herself and developed singular techniques by reinventing the palimpsest.
Her work presents itself as a visual exploration of remanence, this partial persistence of emotions, memories or impressions after their disappearance. The large formats exhibited embody this tension between evanescence and permanence, highlighting a very contemporary way of treating portraiture.
These works propose a plastic approach where figuration and abstraction meet. Faces, sometimes emerging or partially veiled, dialogue with textured materials, superpositions of layers, and fragments of writings. Each canvas translates the idea that certain traits or expressions, although ephemeral, continue to resonate and haunt our perception. This "contemporary writing"—understood here as a modern way of rewriting the portrait—anchors the subject in a temporality where traces of the past dialogue with the present.
Through their immersive power, these works invite the viewer to feel the impact of these visual and emotional resonances, while questioning how memory and emotion persist beyond the visible. They are visual journals where words, fragments of sentences or evanescent glyphs appear, almost by chance. These inscriptions, sometimes erased or partially visible, testify to the interaction between the conscious and the unconscious.
Reviews from our customers
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