Décor 1, 2026
Fine Art Drawings : ink · 70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 45
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The black line, dense and assured, structures this composition where the bodies intertwine. The silhouette dominates the space with broad and sharp curves. The gaze gets lost in a play of graphic superimpositions.
The dialogue between the forms creates a sustained visual rhythm. Blocks of color are inserted with precision between the lines. The deep blue responds to the pale pink and the solar yellow.
The fluidity of the drawing suggests a suspended movement. The artist plays with transparency and saturation to give relief to the whole. The composition alternates between areas of emptiness and chromatic concentrations.
The background fragments into geometric planes that dynamize the scene. Each color delimits a space, each line defines a tension. The management of contrasts accentuates the physical presence of the characters.
The balance rests on the harmony of cool and warm tones. The final rendering favors a synthetic approach to the human figure. The work ends with touches of olive green on the right edge of the support.
Presentation
Claire Bonnet-Masimbert paints or sculpts contours evoking the sentient beings that we are. The body, stripped of its particularities, becomes original and becomes a receptacle.
The expression “take shape" finds its full meaning here.
What takes shape are the movements of the being, what animates it: its emotions. Those of the artist in the creative moment and those of the viewer who, prompted by this beginning, ends the story by projecting his own sensitivity.
Claire paints as she writes: each body is a word which meets another in a play of interlacing. The viewer can thus observe the dialogue that takes place between them. The narration appears. This pictorial writing makes the line no longer an element allowing the movement of a body to be represented, but punctuating a surface like punctuation. This results in a form of musicality.
The artist goes to encounter what she does not know or master. A danger which is characterized in particular by the offbeat use of certain supports or by the fragile, elusive handling of ink, a recurring fluid in his work. A posture which requires him to be in a spontaneous restitution of his state, a posture which is both challenging and driving.
The visual artist likes raw textures; whether in painting or sculpture. In addition to the breathing space offered by the passage from one medium to another, it above all allows him to find answers; the practice of one nourishing the practice of the other. This is why presented together, an exchange inevitably takes place.
In this pictorial exchange, Claire asks herself the question of the place of the Other and it is quite naturally that she turned towards proposals for collaboration, opening up a wider field of dialogue.
Reviews from our customers
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