In Motion 2: Textured Black and White Surrealist Figurative Mixed Media Artwork, 2026
Fine Art Drawings : oil, acrylic · 38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch
Shipping & delivery
Shipped from: Spain
Delivery to: Germany , € 25
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
In Motion 2: Textured Monochrome Surrealist Mixed Media Artwork
Enhance your private collection with this captivating contemporary mixed media artwork today. Designed on a tactile surface of 38.5x27 cm / 15.2x10.6 in, "In Motion 2" (38.5x27 cm / 15.2x10.6 in) is a compelling study of form, movement, and rhythm. The artist masterfully blends acrylic, oil, textured pastes, felt, and paper to depict a dancing silhouette navigating a fragmented dreamscape of watching eyes and historic wallpaper patterns. Free from rigid narratives, it invites personal interpretation and emotional connection. The high-contrast monochrome design makes it a versatile statement piece for modern, minimalist, or industrial interiors. Whether styling a gallery wall or searching for a highly original art gift, this textured artwork brings an undeniable edge and intellectual depth to any curated space.
Presentation
Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.
Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.
Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.
Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.
Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?
Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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