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In Motion 2: Textured Black and White Surrealist Figurative Mixed Media Artwork, 2026
Dizlarka   Best sellers

Fine Art Drawings : oil, acrylic · 38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch

€232 232 €
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Shipped from: Spain

Delivery to: Germany , € 25

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

In Motion 2: Textured Monochrome Surrealist Mixed Media Artwork

Enhance your private collection with this captivating contemporary mixed media artwork today. Designed on a tactile surface of 38.5x27 cm / 15.2x10.6 in, "In Motion 2" (38.5x27 cm / 15.2x10.6 in) is a compelling study of form, movement, and rhythm. The artist masterfully blends acrylic, oil, textured pastes, felt, and paper to depict a dancing silhouette navigating a fragmented dreamscape of watching eyes and historic wallpaper patterns. Free from rigid narratives, it invites personal interpretation and emotional connection. The high-contrast monochrome design makes it a versatile statement piece for modern, minimalist, or industrial interiors. Whether styling a gallery wall or searching for a highly original art gift, this textured artwork brings an undeniable edge and intellectual depth to any curated space.

Portrait

Fantastic

Human body

Women

Fragmentation

Surrealism

Monochrome

Black

Dizlarka, In Motion 2: Textured Black and White Surrealist Figurative Mixed Media Artwork

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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