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In Motion 1: Original Monochrome Mixed Media Artwork with Figurative Texture and Abstract Details, 2026
Dizlarka   Best sellers

Fine Art Drawings : oil, acrylic · 38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch

$250 250 $US
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Shipped from: Spain

Delivery to: United States , $ 39

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

In Motion 1: Tactile Monochrome Mixed Media Artwork

Elevate your collection with this dynamic piece that captures the fluid intersection of memory and movement; "In Motion 1" (38.5 x 27 cm / 15.2 x 10.6 in) is a masterful exploration of form. Using a tactile combination of acrylic, oil, textured pastes, felt, and paper, this mixed media artwork presents figures dancing through a fragmented landscape of patterns and eyes. The work rejects a fixed narrative in favor of a raw, rhythmic intensity that connects the viewer's gaze to the internal world of the subject. Its monochromatic aesthetic and high-texture finish make it a versatile fit for modern interiors, acting as a sophisticated focal point for a home office or living room. It is a brilliant choice for those looking to gift a unique, emotionally resonant piece of contemporary art.

Abstract

Portrait

Human body

Women

Fragmentation

Silhouette

Monochrome

Black

Dizlarka, In Motion 1: Original Monochrome Mixed Media Artwork with Figurative Texture and Abstract Details

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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