Behind the Ring: Evocative Red & White Oil Artwork | Modern Figurative Expression | Original Canvas, 2026
Painting : oil · 60 x 50 x 3 cm 23.6 x 19.7 x 1.2 inch · Ready to hang
Shipping & delivery
Shipped from: Spain
Delivery to: Switzerland , CHF 85
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 50 x 3 cm 23.6 x 19.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
Presenting "Behind the Ring," a captivating 60x50 cm oil on canvas artwork that explores the intricate balance of personal freedom and commitment. This stunning piece features a central female figure, rendered in a dynamic spectrum of reds and whites, holding onto a fence that symbolizes both security and constraint. The intriguing eyes embedded in her dress serve as a clever commentary on external observation, while her introspective gaze reflects a journey inward. This artwork is a testament to resilience and the profound choices we make, offering a rich narrative that resonates deeply with viewers. Its bold color scheme and compelling subject matter make it an ideal acquisition for collectors seeking vibrant, meaningful contemporary art. A perfect fit for sophisticated modern interiors, this piece makes a distinguished gift, promising to ignite conversations and elevate any art collection with its unique expressive power.
Presentation
Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.
Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.
Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.
Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.
Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?
Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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