Behind the Ring: Evocative Red & White Oil Artwork | Modern Figurative Expression | Original Canvas, 2026
Dizlarka   Best sellers

Painting : oil · 60 x 50 x 3 cm 23.6 x 19.7 x 1.2 inch · Ready to hang

CHF 1,031 1 031 CHF

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Shipped from: Spain

Delivery to: Switzerland , CHF 85

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 50 x 3 cm 23.6 x 19.7 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

Presenting "Behind the Ring," a captivating 60x50 cm oil on canvas artwork that explores the intricate balance of personal freedom and commitment. This stunning piece features a central female figure, rendered in a dynamic spectrum of reds and whites, holding onto a fence that symbolizes both security and constraint. The intriguing eyes embedded in her dress serve as a clever commentary on external observation, while her introspective gaze reflects a journey inward. This artwork is a testament to resilience and the profound choices we make, offering a rich narrative that resonates deeply with viewers. Its bold color scheme and compelling subject matter make it an ideal acquisition for collectors seeking vibrant, meaningful contemporary art. A perfect fit for sophisticated modern interiors, this piece makes a distinguished gift, promising to ignite conversations and elevate any art collection with its unique expressive power.


 

Dizlarka, Behind the Ring: Evocative Red & White Oil Artwork | Modern Figurative Expression | Original Canvas

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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