Watched Within - Vibrant Orange Modern Textile Art Piece | Handcrafted Mixed Media Wall Sculpture, 2026
Dizlarka   Best sellers

Sculpture : acrylic, metal, Textiles · 65 x 16 x 9 cm 25.6 x 6.3 x 3.5 inch

€930 930 €

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Shipping & delivery

Shipped from: Spain

Delivery to: Spain , € 48

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

acrylic , metal , Textiles , without pedestal

Dimensions ( cm • inch )

65 x 16 x 9 cm 25.6 x 6.3 x 3.5 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2024 • Top Seller

Description

Embrace the striking presence of "Watched Within," a vibrant orange and off-white mixed media artwork that captivates with its contemporary charm. This piece beautifully encapsulates the tension between our innermost thoughts and the observing world, inviting viewers to ponder the beautiful layers beneath the surface. As a standout work from the "My Borders" series, it subtly explores themes of modern female experience, resilience, and the delicate balance of femininity and power. Crafted with acrylic, cotton, and dyed agate beads on a unique bag canvas, it serves as an intriguing and stylish addition to any modern interior. An artwork that is both visually engaging and conceptually rich, making it an ideal gift or a sophisticated decor statement.

Everyday life

Wall sculpture

Colors

Installation

Handbag

Symbols

orange

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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