November Girl Orgasm, 1966
Sam Haskins   Famous Artists

Photography : digital · 50.9 x 37.6 x 0.3 cm 20.02 x 14.81 x 0.1 inch

€1,349 1 349 €

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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, not framed

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Sold with certificate of Authenticity from the gallery

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Stamped

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Dimensions ( cminch )

50.9 x 37.6 x 0.3 cm 20.02 x 14.81 x 0.1 inch Height x Width x Depth

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Professional art gallery • Australia

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Vetted seller since 2022

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Description

In (1966), Sam Haskins presents one of his most iconic and provocative explorations of female sensuality and graphic minimalism. Emerging from a vast field of white space, the model's expressive face—tilted upward in a moment of heightened emotion—floats almost weightlessly within the composition. The dramatic cropping and ethereal grain dissolve the figure into abstraction, transforming an intimate gesture into a bold visual statement.

Created during the height of the 1960s cultural shift, this work reflects Haskins' groundbreaking approach to photography. He challenged conventional representations of the female form, merging fashion, eroticism, and avant-garde composition into a distinctly modern aesthetic. The deliberate use of negative space intensifies the image's psychological charge, allowing the viewer to confront both vulnerability and power in a single frame.

This is a posthumous estate print, produced under the supervision of the Sam Haskins Estate. It is an open edition, bearing the official estate stamp and accompanied by certification in accordance with the estate's authentication standards.

remains a striking example of Haskins' fearless visual language—sensual, experimental, and undeniably iconic within 20th-century photographic history.

Sam Haskins, November Girl Orgasm

Sam Haskins

United Kingdom  • 1926  - 2009

Presentation

Sam Haskins (1926-2009) is a pervasive global influence in creative, figure, glamour, fashion and advertising photography. He never courted the fashion glossies, but in the last 6 years of his active shooting career (from the age of 77-83), they courted him. In 2000 Vogue and Harper's Bazaar finally woke up and started working with the quiet genius who had been influencing their shooters for decades.

Sam studied fine art and illustration in Johannesburg and photography at the Bolt Court School in London (1949-1961), later becoming the London College of Printing. As a young busy advertising photographer in Johannesburg from the late fifties and through the sixties he spent his evenings working on his own creative projects, four seminal books, which, despite - or maybe because of - the geographical isolation, went on to become international best sellers and played a crucial role in defining the style of the sixties. Even to this day, Sam's books are on the coffee tables of the world's most influential creative figures across multiple artistic disciplines.

Haskins grew up in extreme poverty in rural South Africa and saw art as a hugely inspiring escape from the strictures of a repressive religion and the provincial values of his birth nation. With no local museums or galleries, the art came to him in his isolated hometown, Kroonstad, in the form of the circus and comics plus he made his own kites, magic tricks and drawing. Later, when the family moved to Johannesburg, he routinely played truant from school to spend the day immersing himself in art through the books in Johannesburg's municipal library. 

London had a significant influence on Haskins as a student. There was still post-war food rationing and a lot of bomb damage, but the excitement of London's cultural life, the museums and the energy around the Festival of Britain created a lasting love not just of London but of Europe in general. When the apartheid regime started to hunt down liberal artists and ban their work, he had no choice but to leave in 1968, with a close call between New York and London as destinations.

He remained highly eclectic in his artistic passions throughout his life and always urged those he mentored to absorb a wide range of art and culture,  not just photography.

He is most famous for his books on figure photography, 'Five Girls' 1962, 'Cowboy Kate & Other Stories' 1964, 'November Girl' 1967, which established him as a unique creative voice in photography and a leading master of a difficult genre with very few top exponents. Crucially it also cemented his reputation for fresh thinking and craftsmanship at every step of the photographic process, from set building to lighting to printing.

While the figure work won awards and fans around the world, there were two other books, 'African Image' 1967 and 'Sam Haskins a Bologna' 1984, which showed a set of profoundly poetic musing on a matrix of life issues: secular and spiritual tensions, duty, sacrifice, love, art, dreams, fear and isolation which he really could only express through photography.

The finely crafted beauty in Haskins's work is often infused with complex longings, which may well be part of the reason for its lasting power and popularity, especially among women.

Because he printed to make book maquettes, not to cater to a print collecting market, which barely existed in the sixties, his vintage and later silver gelatin works are exceedingly rare. His prolific artistic nature produced many different images but only a few copies of each image, which is a collector's dream. If you own a Sam Haskins silver gelatin print, be it true vintage or later, you own something which is not only historic and beautiful but which is also exceedingly rare. 'Rare' in this instance means typically 1-3 copies, occasionally up to 12.

The Sam Haskins Estate is now managed by his son Ludwig.

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