Simon-von-Utrecht-Straße, 1982
Klaus Frahm  

Photography : archival pigment print · 30 x 40.5 x 0.1 cm 11.8 x 15.9 x 0 inch

€1,450 1 450 €
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Shipped from: Germany

Delivery to: France , € 80

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 17 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cminch )

30 x 40.5 x 0.1 cm 11.8 x 15.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

This artwork is titled, dated, numbered and signed on the reverse, with the blind stamp © Klaus Frahm at the bottom left of the front as well as the archive number. 

A stark study of urban geometry. This 1982 archival pigment print captures a moment of childhood spontaneity within a rigid architectural frame. The composition is dominated by the heavy grid of a chain-link fence. This metallic veil separates the viewer from the scene. It creates a tension between freedom and confinement. 
The German photographer employs a precise visual language. He focuses on the intersection of human activity and the built environment. Three young figures navigate a dusty pitch. Their small silhouettes contrast with the imposing concrete walls and the towering fence. The black and white palette emphasizes the raw textures of the city. 
Shadows stretch across the ground. They mirror the vertical lines of the surrounding buildings. Every detail remains sharp. The image avoids sentimentality to offer a contemplative look at social spaces. It transforms a mundane street scene into a timeless reflection on spatial relationships. The gaze lingers on the stark contrast between the organic movement of the children and the static permanence of the urban structure.

Klaus Frahm, Simon-von-Utrecht-Straße

Klaus Frahm

Germany  • 1953

Presentation

Klaus Frahm is a German photographer whose work explores the subtle relationship between human presence and the built environment. His interest in photography began at the age of nine, initially driven by a desire to become a photojournalist. However, the social and political upheavals of the late 1960s - culminating in the destruction of his camera during a demonstration in Hamburg in 1969 - led him to shift his focus.

Seeking stability, Frahm turned to landscape photography, working with large-format cameras that allowed for a more deliberate and contemplative approach. Rather than idealized nature, he became increasingly interested in landscapes shaped and marked by human intervention. This perspective naturally evolved into a focus on architecture and urban spaces.

In 1980, Frahm founded his own photography business at a time when large-format photography in both landscape and architecture was still relatively uncommon, particularly in commercial contexts. His distinctive visual language - marked by precision, clarity, and a keen awareness of spatial relationships - quickly gained recognition. Through exhibitions and publications, he established a reputation that led to commissions in advertising and media.

Frahm's work is characterized by a thoughtful exploration of how people inhabit and influence their surroundings. His images capture not only structures and spaces, but also the traces of human activity embedded within them, offering a nuanced and enduring perspective on contemporary environments.

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