Jägerpassage mit 2 Jungen, 1981
Photography : archival pigment print · 30 x 40.5 x 0.1 cm 11.8 x 15.9 x 0 inch
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Shipped from: Germany
Delivery to: United States , $ 105
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 17 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
30 x 40.5 x 0.1 cm 11.8 x 15.9 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This artwork is titled, dated, numbered and signed on the reverse, with the blind stamp © Klaus Frahm at the bottom left of the front as well as the archive number.
This archival pigment print captures a stark urban corridor in black and white. The composition emphasizes the imposing scale of brick facades. These walls curve gently to guide the eye deep into the frame. The perspective creates a sense of enclosure and quiet tension. Precision defines every line of the architecture. The grey tones highlight the weathered textures of the stone and mortar.
Two small figures break the stillness of the scene. Their presence introduces a human scale to the rigid geometry. A solitary car sits parked nearby. These elements suggest a fleeting moment in a timeless space. The photographer employs a deliberate, contemplative approach. He explores the intersection of human activity and the built environment. The lighting is soft and diffused. It eliminates harsh shadows to reveal the intricate details of the windows and pipes. This artwork transforms a mundane passage into a study of spatial relationships. It reflects a keen awareness of how inhabitants mark their surroundings. The image remains a powerful observation of urban solitude and architectural rhythm.
Presentation
Klaus Frahm is a German photographer whose work explores the subtle relationship between human presence and the built environment. His interest in photography began at the age of nine, initially driven by a desire to become a photojournalist. However, the social and political upheavals of the late 1960s - culminating in the destruction of his camera during a demonstration in Hamburg in 1969 - led him to shift his focus.
Seeking stability, Frahm turned to landscape photography, working with large-format cameras that allowed for a more deliberate and contemplative approach. Rather than idealized nature, he became increasingly interested in landscapes shaped and marked by human intervention. This perspective naturally evolved into a focus on architecture and urban spaces.
In 1980, Frahm founded his own photography business at a time when large-format photography in both landscape and architecture was still relatively uncommon, particularly in commercial contexts. His distinctive visual language - marked by precision, clarity, and a keen awareness of spatial relationships - quickly gained recognition. Through exhibitions and publications, he established a reputation that led to commissions in advertising and media.
Frahm's work is characterized by a thoughtful exploration of how people inhabit and influence their surroundings. His images capture not only structures and spaces, but also the traces of human activity embedded within them, offering a nuanced and enduring perspective on contemporary environments.
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