Berlin Kreuzberg Oranienstraße, 1984
Klaus Frahm  

Photography : archival pigment print · 30 x 40.5 x 0.1 cm 11.8 x 15.9 x 0 inch

€1,450 1 450 €
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Shipped from: Germany

Delivery to: France , € 80

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 17 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

30 x 40.5 x 0.1 cm 11.8 x 15.9 x 0 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

This artwork is titled, dated, numbered and signed on the reverse, with the blind stamp © Klaus Frahm at the bottom left of the front as well as the archive number. 

This black and white archival pigment print captures a stark moment in the heart of Berlin. The composition is defined by rigid lines and industrial textures. A chain-link fence slices through the frame. It creates a transparent yet impenetrable barrier. In the background, the imposing facade of a city building looms. Its repetitive windows echo a sense of urban monotony.
The photographer employs a precise visual language. He focuses on the tension between architecture and human activity. A solitary figure moves within the enclosure. This blurred motion contrasts with the stillness of the concrete surroundings. The image avoids sentimentality. Instead, it offers a contemplative study of spatial relationships. It explores how the built environment shapes and confines the individual.
The play of light and shadow emphasizes the raw materiality of the scene. From the weathered wooden planks in the foreground to the distant parked car, every detail feels intentional. This artwork documents a specific era of urban transformation. It transforms a mundane street corner into a timeless reflection on city life. The final result is a balanced study of geometry and solitude.

Klaus Frahm, Berlin Kreuzberg Oranienstraße

Klaus Frahm

Germany  • 1953

Presentation

Klaus Frahm is a German photographer whose work explores the subtle relationship between human presence and the built environment. His interest in photography began at the age of nine, initially driven by a desire to become a photojournalist. However, the social and political upheavals of the late 1960s - culminating in the destruction of his camera during a demonstration in Hamburg in 1969 - led him to shift his focus.

Seeking stability, Frahm turned to landscape photography, working with large-format cameras that allowed for a more deliberate and contemplative approach. Rather than idealized nature, he became increasingly interested in landscapes shaped and marked by human intervention. This perspective naturally evolved into a focus on architecture and urban spaces.

In 1980, Frahm founded his own photography business at a time when large-format photography in both landscape and architecture was still relatively uncommon, particularly in commercial contexts. His distinctive visual language - marked by precision, clarity, and a keen awareness of spatial relationships - quickly gained recognition. Through exhibitions and publications, he established a reputation that led to commissions in advertising and media.

Frahm's work is characterized by a thoughtful exploration of how people inhabit and influence their surroundings. His images capture not only structures and spaces, but also the traces of human activity embedded within them, offering a nuanced and enduring perspective on contemporary environments.

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