Mathildenpassage, 1981
Klaus Frahm  

Photography : archival pigment print · 30 x 40.5 x 0.1 cm 11.8 x 15.9 x 0 inch

€1,450 1 450 €
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Shipped from: Germany

Delivery to: France , € 80

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 17 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cminch )

30 x 40.5 x 0.1 cm 11.8 x 15.9 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

This artwork is titled, dated, numbered and signed on the reverse, with the blind stamp © Klaus Frahm at the bottom left of the front as well as the archive number. 

This black and white archival pigment print captures a moment of urban stillness. The composition focuses on a weathered building facade. Hard shadows slice across the grey walls. The geometry is rigid and imposing.
A group of figures lingers at the base of the structure. Their poses are casual yet expectant. They inhabit the space with a quiet, unhurried presence. The dark void of an open doorway creates a powerful focal point. It suggests a hidden interior world beyond the public street.
The photographer employs a large-format approach. This ensures exceptional clarity and spatial precision. Every crack in the plaster is visible. Every fold of clothing is defined. The image explores the tension between permanent architecture and fleeting human existence.
This 1981 artwork avoids sentimentality. Instead, it offers a contemplative study of social geography. The contrast between the heavy masonry and the small human figures emphasizes the scale of the environment. The scene remains timeless. It documents the subtle traces of daily life within a structured city landscape.

Klaus Frahm, Mathildenpassage

Klaus Frahm

Germany  • 1953

Presentation

Klaus Frahm is a German photographer whose work explores the subtle relationship between human presence and the built environment. His interest in photography began at the age of nine, initially driven by a desire to become a photojournalist. However, the social and political upheavals of the late 1960s - culminating in the destruction of his camera during a demonstration in Hamburg in 1969 - led him to shift his focus.

Seeking stability, Frahm turned to landscape photography, working with large-format cameras that allowed for a more deliberate and contemplative approach. Rather than idealized nature, he became increasingly interested in landscapes shaped and marked by human intervention. This perspective naturally evolved into a focus on architecture and urban spaces.

In 1980, Frahm founded his own photography business at a time when large-format photography in both landscape and architecture was still relatively uncommon, particularly in commercial contexts. His distinctive visual language - marked by precision, clarity, and a keen awareness of spatial relationships - quickly gained recognition. Through exhibitions and publications, he established a reputation that led to commissions in advertising and media.

Frahm's work is characterized by a thoughtful exploration of how people inhabit and influence their surroundings. His images capture not only structures and spaces, but also the traces of human activity embedded within them, offering a nuanced and enduring perspective on contemporary environments.

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