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Margarethenstraße, 1993
Klaus Frahm  

Photography : archival pigment print · 40.5 x 30 x 0.1 cm 15.9 x 11.8 x 0 inch

€1,450 1 450 €
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Shipped from: Germany

Delivery to: Germany , € 50

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 17 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

40.5 x 30 x 0.1 cm 15.9 x 11.8 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

This artwork is titled, dated, numbered and signed on the reverse, with the blind stamp © Klaus Frahm at the bottom left of the front as well as the archive number. 

This monochromatic archival pigment print captures a fleeting moment of urban energy. A narrow alleyway frames a stark architectural backdrop. The composition relies on a powerful play of light and shadow. A diagonal beam of sunlight cuts across the concrete ground. It creates a sharp contrast with the deep blacks of the shaded walls.
Three blurred figures move through the space. Their motion suggests a hurried pace. They appear as ghostly traces against the rigid stability of the building. This tension defines the scene. The static facade of the house stands in silent opposition to the kinetic energy of the people. The photographer employs a precise eye for spatial relationships. He transforms a mundane street scene into a study of human presence within the built environment.
The image reflects a contemplative approach to the city. Every line is deliberate. Every shadow serves a purpose. The grain of the black and white medium enhances the timeless quality of the moment. The result is a nuanced observation of contemporary life. The gaze is directed toward the intersection of architecture and movement. The focus remains on the subtle traces left by inhabitants in their daily surroundings.

Klaus Frahm, Margarethenstraße

Klaus Frahm

Germany  • 1953

Presentation

Klaus Frahm is a German photographer whose work explores the subtle relationship between human presence and the built environment. His interest in photography began at the age of nine, initially driven by a desire to become a photojournalist. However, the social and political upheavals of the late 1960s - culminating in the destruction of his camera during a demonstration in Hamburg in 1969 - led him to shift his focus.

Seeking stability, Frahm turned to landscape photography, working with large-format cameras that allowed for a more deliberate and contemplative approach. Rather than idealized nature, he became increasingly interested in landscapes shaped and marked by human intervention. This perspective naturally evolved into a focus on architecture and urban spaces.

In 1980, Frahm founded his own photography business at a time when large-format photography in both landscape and architecture was still relatively uncommon, particularly in commercial contexts. His distinctive visual language - marked by precision, clarity, and a keen awareness of spatial relationships - quickly gained recognition. Through exhibitions and publications, he established a reputation that led to commissions in advertising and media.

Frahm's work is characterized by a thoughtful exploration of how people inhabit and influence their surroundings. His images capture not only structures and spaces, but also the traces of human activity embedded within them, offering a nuanced and enduring perspective on contemporary environments.

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